You'd Be Surprised Cover Image

You'd Be Surprised: SSA Choral Octavo

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You'd Be Surprised Cover Image

You'd Be Surprised: SSA Choral Octavo

Words and music by Irving Berlin / arr. Greg Gilpin

Item: 00-27220

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Description
Greg Gilpin has taken this cute Irving Berlin number and turned it into something special for SSA choirs. Everyone wondered why all the girls passed Johnny by...except Mary, that is. So let Mary tell you: "He's not so good in the house, but on a bench in the park, you'd be surprised." A classic novelty number for the girls.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081294803
SKU: 00-27220

More about this title

About the Composer: Irving Berlin

Irving Berlin (1888-1989) composed some of the most enduring melodies in American popular music, from "White Christmas" and "God Bless America" to the jazzy standards that defined the Great American Songbook. Born in Russia and raised in New York, Berlin taught himself piano and music theory, then went on to write for Broadway, Hollywood, and the concert stage with a gift for memorable hooks and clever lyrics that made his songs instantly singable.

Why we love this

Greg Gilpin's SSA voicing captures all the charm and comedic timing of Berlin's novelty number without losing the clever lyrical hook. The arrangement sits perfectly for younger and developing choirs while maintaining the period style and wit that make this song memorable. It's a genuinely fun performance piece that audiences enjoy, and singers get to own a piece of American musical theater history.

What to expect

A winking, tongue-in-cheek snapshot of early twentieth-century romance and misguided judgment. The music dances along with an affectionate novelty charm, playful without being corny, inviting the audience to lean in and smile at Mary's delightfully surprising observations about Johnny.

Who it's for

SSA choirs looking for a performance piece that entertains both singers and audiences. This works well for choirs with limited counterpoint experience, since Gilpin's voicing is accessible while still sounding sophisticated. Perfect for choirs that want to program something from the Great American Songbook with humor and personality.

How to get the most out of it

  • Shape the lyrical phrases with clear diction; the humor lands when the story is told conversationally rather than sung in exaggerated opera style.
  • Balance the three SSA parts so that featured melodic moments stand out from the harmonic support, making the narrative easy to follow.
  • Keep the tempo steady and slightly lilting to capture the vaudeville-era charm without rushing the comedic payoff.
  • Work the recorded accompaniment into rehearsals early so singers can lock into the rhythmic style and feel confident with the groove.

How to use it

Pair this with other Berlin selections or American songbook standards for a concert that celebrates popular song, or use it as a lighter moment between more serious choral works. The novelty and period flavor make it an ideal encore or a concert finale that sends the audience out in good spirits.

Skills your students will build

  • Clear narrative diction and storytelling within a song
  • Part independence in three-part harmony
  • Rhythmic confidence with swing-inflected accompaniment
  • Stylistic awareness of early twentieth-century popular song and vaudeville conventions

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