You Can't Stop The Beat (from Hairspray) (arr. Roger Emerson) Sheet Music Preview

You Can't Stop The Beat (from Hairspray) (arr. Roger Emerson): SSA Choral Octavo

By Marc Shaiman Scott Wittman / Arranged by Roger Emerson

Item: 35-DS01181469

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01181469

More about this title

About the Composer: Marc Shaiman Scott Wittman

Marc Shaiman and Scott Wittman collaborated on the 2002 film adaptation of Hairspray, creating a score that captures the exuberance and social commentary of the original John Waters film. Shaiman brings a gift for melodic clarity and rhythmic drive, while Wittman's lyrics blend humor with heart. Their work for Hairspray earned an Academy Award nomination and has become a staple of school and community theater productions.

Beyond Hairspray, Shaiman has composed for television, film, and stage, consistently demonstrating an ability to write music that serves story while remaining accessible to young performers. His arrangements and original compositions for choirs reflect a deep understanding of vocal writing across multiple ability levels.

Why we love this

Roger Emerson's arrangement captures the infectious energy of the original without requiring a massive ensemble or complicated choreography. The SSA voicing keeps the piece within comfortable ranges while preserving the song's irrepressible spirit, making it both vocally rewarding and fun to perform.

What to expect

Pure joy in motion. The arrangement radiates optimism and forward momentum, with harmonies that feel both modern and grounded. Singers will feel the satisfaction of being part of something that sounds big and professional while remaining within their grasp.

Who it's for

SSA and SSAA choirs looking for contemporary material with genuine theatrical flair and accessibility. This works for groups ranging from high school beginning choirs to community ensembles seeking something that lands with audiences and doesn't require extensive rehearsal time.

How to get the most out of it

  • Nail the rhythmic precision in the opening phrases. The syncopation is part of what makes this arrangement bounce, so lock the ensemble on the offbeats rather than rushing through them.
  • Balance the melody line against the harmonic foundation. The top notes will want to soar, but the song needs that full choral sound underneath to feel complete.
  • Let the text drive your phrasing. The lyrics are clever and conversational, so treat them as spoken music first and avoid oversinging individual words.
  • Use the energy of the piece to pull your singers through the 10 pages. This isn't a marathon, but it requires sustained brightness and attack throughout.

How to use it

Consider this a concert closer or a spring concert highlight. It pairs well with other contemporary pop or musical theater selections and gives audiences permission to leave the venue smiling. The piece also works as an encores or pops concert staple.

Skills your students will build

  • Managing syncopated rhythms in ensemble context
  • Balancing melody and harmony in pop-influenced writing
  • Maintaining rhythmic independence within a cohesive group sound
  • Sustaining energy and brightness across an extended phrase structure

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