You Can't Stop The Beat (from Hairspray) (arr. Roger Emerson) Sheet Music Preview

You Can't Stop The Beat (from Hairspray) (arr. Roger Emerson): SAB Choral Octavo

By Marc Shaiman Scott Wittman / Arranged by Roger Emerson

Item: 35-DS01181467

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01181467

More about this title

About the Composer: Marc Shaiman Scott Wittman

Marc Shaiman and Scott Wittman are the songwriting team behind Hairspray, the 2002 musical that became a cultural phenomenon and later a film adaptation. Their work on the score demonstrates a gift for writing infectious, era-appropriate pop melodies that serve character and story simultaneously. Shaiman is also known for his film scoring work (Patch Adams, Misery), while Wittman has contributed to multiple stage productions; together they've created songs that choirs across the country return to year after year.

Their appeal in choral music education lies in their ability to write accessible melodies with genuine wit and heart. A Hairspray number works because it's fun to sing, fun to listen to, and carries the optimism of the show without requiring elaborate staging or costumes. For young singers especially, their music offers the satisfaction of performing something contemporary and culturally relevant.

Why we love this

You Can't Stop The Beat sits at the sweet spot between infectious fun and genuine musical substance. Emerson's SAB arrangement opens up this closing number to groups without a full soprano section, and the arrangement preserves the song's propulsive energy while giving each part singable, rewarding lines. Choirs genuinely light up performing this one because the music itself conveys joy without apology.

What to expect

Pure, unapologetic energy. The song opens with a sense of inevitability and builds outward; by the final sections you're part of something bigger than yourself. It's the musical equivalent of a crowd in motion, all moving toward the same moment of celebration.

Who it's for

Choirs working in SAB voicing, from high school groups to community and semi-professional ensembles. The arrangement works equally well for groups seeking contemporary Broadway repertoire and those wanting an accessible closer for a spring concert or festival performance.

How to get the most out of it

  • Establish the groove early in rehearsal by speaking the rhythm section's part before adding pitch. This song's momentum depends on locked rhythmic confidence in your middle and lower voices.
  • Resist the urge to slow the tempo for clarity. The piece needs to move; sacrificing tempo to clean up notes usually makes it feel leaden instead.
  • Lean into the text's conversational moments. There's a playfulness in the lyrics that can get lost if you treat it as a straight pop arrangement. Let the comedy land.
  • Consider strategic doubling between parts during ensemble passages to strengthen attacks without adding singers. It's a 10-page octavo that rewards ensemble precision.

How to use it

This is a natural closer for concerts exploring pop, musical theater, or contemporary music. It also pairs well with other Hairspray selections if your group is considering a themed program. The song's eight-to-ten minute footprint fits neatly into festival performances or pop concert sets where you want to end on infectious momentum.

Skills your students will build

  • Maintaining steady tempo under groove-based rhythmic figures
  • Balancing part independence with ensemble cohesion in a 3-part texture
  • Performing syncopated rhythms with rhythmic precision
  • Executing clear diction in a pop-influenced style
  • Building dynamic energy across a full-length arrangement without oversinging

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