You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) Sheet Music Preview

You Can't Stop the Beat (from Hairspray) (arr. Michael Brown): Concert Band Conductor Score & Parts

By Marc Shaiman Scott Wittman / Arranged by Michael Brown

Grade: 2

Item: 35-PK00529665

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$65.00

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Product Price Quantity
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Conductor Score (Full Score) $7.50
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Flute $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Oboe $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bassoon $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bb Clarinet 1 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bb Clarinet 2 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bb Clarinet 3 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bb Bass Clarinet $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Eb Alto Saxophone 1 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Eb Alto Saxophone 2 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bb Tenor Saxophone $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Eb Baritone Saxophone $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bb Trumpet 1 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bb Trumpet 2 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - F Horn $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Trombone $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Baritone B.C. $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Baritone T.C. $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Tuba $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Bass $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Percussion 1 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Percussion 2 $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Mallet Percussion $6.00
You Can't Stop the Beat (from Hairspray) (arr. Michael Brown) - Timpani $6.00

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Description
From the hit musical "Hairspray", here is an upbeat showstopper with a nice variety in scoring as the melody is passed from section to section. Characterizing a feeling of optimism and perseverance, this is sure to be enjoyed by all.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00529665

More about this title

About the Composer: Marc Shaiman Scott Wittman

Marc Shaiman and Scott Wittman have established themselves as leading voices in contemporary musical theater, with Shaiman earning multiple Tony and Grammy nominations for his work on stage and screen. Together, they crafted the score for "Hairspray," which became a cultural phenomenon and earned eight Tony Awards, including Best Original Score. Their gift for melody and their understanding of how to capture infectious energy in music has made their work essential in both theater and concert settings.

Beyond "Hairspray," Shaiman and Wittman have contributed to numerous film and Broadway projects, consistently demonstrating an ability to write music that resonates with audiences of all ages. Their arrangements and compositions for concert ensembles bring the same theatrical vitality and accessibility that define their stage work, making them valuable resources for directors seeking material that energizes both performers and audiences.

Why we love this

Michael Brown's arrangement keeps the essential joy of this number intact while distributing the material thoughtfully across your sections. Grade 2 accessibility doesn't mean the scoring lacks sophistication; the passing of the melody creates natural teaching moments for ensemble blend and attention to when you carry the tune versus when you support it.

What to expect

Pure, unfiltered optimism delivered with a driving beat. This is the musical equivalent of a room full of people moving forward together with purpose and joy, refusing to be slowed down. The energy is infectious without being frantic; it's celebratory and inclusive, inviting every player to contribute to something bigger than themselves.

Who it's for

Concert bands at the Grade 2 level looking for accessible material that doesn't sacrifice musicality or fun factor. This works equally well for young ensembles building confidence and for more experienced groups seeking a guaranteed crowd pleaser with substance behind its accessibility.

How to get the most out of it

  • Keep the rhythmic momentum consistent throughout. This piece thrives on its forward drive, so lock in your pulse section early and let them anchor the energy without pushing the tempo.
  • Balance the section-to-section melody transfers by having non-playing sections support the sound without dropping their intensity. The arrangement works best when the full band feels unified even during solo passages.
  • Emphasize the articulation contrasts in the score. Crisp attacks in the brass and woodwinds during rhythmic figures will crystallize the showstopper quality and keep the arrangement from sounding muddy.
  • Let the accompanying sections breathe slightly during held notes or longer melodic phrases. This creates space for the featured melody to shine while keeping the arrangement from feeling cramped.

How to use it

This fits perfectly as a finale or as a strategic placement mid-concert when you need to shift the mood toward brightness and momentum. Pair it with other show tunes or lighter fare to anchor a "musical theater" section, or use it as the energizing closer that sends the audience out on a high note.

Skills your students will build

  • Trading melodic lines between sections and recognizing when to play/rest appropriately
  • Maintaining rhythmic drive in ensemble settings with sustained accompaniment figures
  • Balancing volume and tone when featuring different instrumental families
  • Articulation clarity in fast-moving passages with multiple rhythmic layers
  • Listening to the full texture while playing an accompaniment role

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