You Can Call Me Al (arr. Michele Fernández): Jazz Ensemble Conductor Score & Parts

Michele Fernández's arrangement transforms a radio hit into genuinely engaging ensemble music without losing the infectious energy that made the original memorable. The interplay between sections keeps everyone active and focused, making this a refreshing programming choice for concerts that aim for accessibility without sacrificing musicality.

Warm and conversational, with an easy swing that invites the ensemble to relax into the groove. The arrangement captures the song's original South African-influenced rhythm while letting your players experience how the same musical idea can travel across different settings and styles.

Jazz ensembles working at the intermediate level who want a contemporary arrangement that audiences actually know and enjoy. This works equally well for concert programming and pep bands seeking material that connects with both players and listeners.

• Lock the pocket early in rehearsals by having rhythm section and drums establish the groove independent of the melody; once that foundation sits solidly, layer in the horns and reeds
• Balance the melodic statements between saxophone and trumpet so one voice doesn't overshadow the other during their featured passages
• Use dynamics to shape the groove rather than playing at one volume throughout; subtle swells in the ensemble sections create forward momentum without breaking the laid-back feel

Place this on a concert where you're mixing standards with popular material, or use it as a strategic opener to settle an audience into the evening. It also serves as excellent material for spring concerts or end-of-year celebrations when lighter energy complements the season.

• Comping and support voice writing in small ensemble contexts
• Rhythmic precision in groove-based music with syncopated lines
• Dynamic balance between solo voices and ensemble background figures
• Interpretation of swing eighth notes in a pop arrangement context