You Are There Sheet Music Preview

You Are There: TTBB Choral Octavo

As performed by Johnny Mandel / As performed by Dave Frishberg / As performed by Michael Feinstein / Arranged by Ed Lojeski

Item: 35-DS00341837

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00341837

More about this title

About the Artist: Johnny Mandel

Johnny Mandel stands as one of the most versatile and respected composers in American music. His gift for melody and harmonic sophistication earned him recognition across film, television, theater, and the jazz world; his score for M*A*S*H* remains iconic, while standards like "The Shadow of Your Smile" demonstrate his enduring influence on American songwriting.

For choral directors, Mandel's work represents the intersection of accessibility and artistic depth. His compositions reward singers with singable lines that never condescend, harmonic language that sounds contemporary yet grounded in tradition, and the kind of musical intelligence that keeps a piece fresh through repeated rehearsals and performances.

Why we love this

Ed Lojeski's arrangement captures Mandel's melodic elegance while building genuine choral sophistication into the voicing. The piece gives your men's choir material that feels substantial without requiring a vast roster or extreme vocal ranges, and the jazz sensibility creates the kind of engaging, listenable performance that audiences genuinely want to hear again.

What to expect

Sophisticated yet warm, with the kind of melodic line that settles into memory without effort. There's an intimate quality to the arrangement that invites the audience into something genuine, rather than performed at them.

Who it's for

Men's choirs seeking repertoire that engages both singers and listeners. The flexible voicing options make it accessible to choirs of varying sizes while maintaining artistic credibility.

How to get the most out of it

  • Study how the harmonic colors shift across the different voicings (TB/TTB/TBB/TTBB options). Your choice here affects both rehearsal feasibility and the emotional shape of the performance.
  • Let the phrasing breathe. Jazz-inflected arrangements live and die by their relationship to silence and space; resist the impulse to keep every note equally weighted.
  • Pay attention to the interplay between bass and baritone lines. Clean independence in the lower voices will let the melody sing without muddiness.

How to use it

Pair this with other standards-based literature to build a program that showcases your choir's versatility. It also works as an effective closer for a set built around American songwriting or as a welcome contrast to heavier classical material.

Skills your students will build

  • Singing jazz-influenced phrasing and swing feel in a choral context
  • Harmonic independence and voice leading across multiple voicing options
  • Blending and balancing when different voice parts carry equal melodic weight
  • Interpreting contemporary choral arrangements that prioritize clarity and musical storytelling

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