You Are The Sunshine Of My Life [Jazz version] (arr. Brent Edstrom) Sheet Music Preview

You Are The Sunshine Of My Life [Jazz version] (arr. Brent Edstrom): Piano Vocal

As performed by Stevie Wonder

Item: 35-DS00457520

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00457520

More about this title

About the Artist: Stevie Wonder

Stevie Wonder stands as one of the most influential musicians of the past fifty years, a keyboardist and vocalist whose harmonic sophistication and rhythmic sensibility shaped modern soul, funk, and jazz. Blind from infancy, he mastered multiple instruments and developed an ear for arranging that bridges classical complexity with popular accessibility, making his work invaluable for students learning how jazz harmony and soul phrasing operate within pop song structures.

Why we love this

Brent Edstrom's arrangement captures the warmth of Wonder's original while adding jazz inflection through reharmonization and comping suggestions that never overshadow the vocal line. High school and college singers get a genuine window into how a standard pop ballad becomes a vehicle for exploring chord extensions, substitute dominants, and the interplay between accompaniment and melody that defines sophisticated arranging.

What to expect

Intimate and glowing. The arrangement honors the original's tenderness while inviting the performers to inhabit the harmonic space Wonder created, creating a sense of speaking directly to the listener rather than performing at them.

Who it's for

This works beautifully for advanced high school singers and college students studying jazz vocals or arranging. Pianists pairing with singers will find genuine musical complexity that rewards attention without requiring professional performance skills.

How to get the most out of it

  • Balance the vocal line over the comping patterns in the piano part; the richness comes from hearing both elements clearly, not from the accompaniment receding into the background.
  • Lean into the swing feel where indicated rather than playing it straight, letting the rhythmic interpretation breathe and avoid sounding stiff.
  • Experiment with rubato in the verses, treating the piano and voice as conversational rather than metronomic; the arrangement supports this flexibility.
  • Pay attention to the dynamic shape within phrases, rising toward harmonic tension points and releasing when the harmony resolves, which will bring out Edstrom's voice leading.

How to use it

Consider programming this as a standalone feature or as part of a jazz standards set that showcases R&B's influence on vocal jazz. It works equally well in a spring concert, a singer's recital, or as a teaching example in an arranging class.

Skills your students will build

  • Reading jazz chord symbols and interpreting comping figures
  • Phrasing across bar lines and managing breath in a ballad context
  • Listening to harmonic tension and release while singing
  • Coordinating rubato between pianist and vocalist
  • Understanding how reharmonization preserves melody while deepening harmonic content

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