You Are the Sunshine of My Life: Jazz Ensemble Conductor Score & Parts
As performed by Stevie Wonder / Arranged by Paul Murtha
Grade: 2
Item: 35-PK00310154
$45.00
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Description
This was one of Stevie Wonder's signature hits from the 1970s, and here is a masterfully arranged easy version in a light bossa style. Trombones grab the spotlight in the beginning and again at the end. In between, the saxes and trumpets take turns with the melody, and there are short solos for trumpet and alto sax.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00310154
More about this title
About the Artist: Stevie Wonder
Stevie Wonder emerged as a multi-instrumentalist prodigy in the 1960s and became one of the most influential songwriters of his generation. His work across soul, funk, and pop established him as a master of melody and harmonic sophistication, with compositions that remain standards in jazz and popular music education.
Why we love this
Paul Murtha's arrangement captures the warmth of the original while giving each section their moment without overwhelming a Grade 2 ensemble. The strategic spotlight on trombones at the bookends provides younger players with memorable feature opportunities that build confidence, and the alternating melody statements across saxes and trumpets keep the energy flowing naturally.
What to expect
Bright and approachable, with a breezy bossa rhythm that immediately puts performers at ease. The arrangement breathes naturally between sections, creating moments of intimacy within a song that radiates warmth and optimism.
Who it's for
Jazz ensembles at the early intermediate level who need accessible repertoire that doesn't sacrifice musicality or fun. Students benefit from playing a genuine Stevie Wonder composition that audiences recognize, which makes the learning experience feel purposeful and engaging.
How to get the most out of it
- Let the trombone section establish the groove with clarity and swing feel during the opening; they set the harmonic foundation for everything that follows.
- Shape the handoffs between sax and trumpet passages by having the section not holding the melody provide light harmonic support that doesn't overshadow the soloist.
- Encourage the alto and trumpet soloists to think conversationally; these aren't showpieces but intimate moments within the song's emotional arc.
- Maintain the bossa feel throughout by keeping the rhythm section locked on the lighter side of the beat rather than pushing forward.
How to use it
This works beautifully as a spring concert opener or as part of a soul and funk-influenced set that connects jazz education to popular music students already know. Its accessible difficulty makes it ideal for bands developing their ensemble blend and section coordination without the pressure of navigating complex harmonies.
Skills your students will build
- Swing and bossa rhythmic feels
- Section independence in featured melody passages
- Balancing solo prominence with ensemble texture
- Phrasing and dynamics in light Latin grooves
- Trading sections and responding to other parts musically