You Are Not Alone Sheet Music Preview

You Are Not Alone: SATB Choral Octavo

As performed by Robert Kelly / As performed by Michael Jackson / Arranged by Ed Lojeski

Item: 35-DS00404548

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00404548

More about this title

About the Artist: Robert Kelly

Robert Kelly is a singer, songwriter, and producer whose work spans R&B, hip-hop, and pop. His collaborations with major artists have shaped contemporary music across multiple genres, bringing a distinctive vocal sensibility to each project.

As an arranger, Ed Lojeski has built a reputation for adapting popular songs into viable choral repertoire without sacrificing the character that makes them resonate with audiences. His work balances accessibility with musical substance, making modern material feel natural in the choir setting.

Why we love this

This arrangement captures the emotional directness of the original while giving your choir room to bring their own interpretive energy to the piece. Lojeski's writing respects the song's structure and melodic integrity, so singers engage with material that feels current and relevant rather than filtered through dated arranging conventions.

What to expect

A song rooted in vulnerability and reassurance, where the melody carries the emotional weight. The arrangement unfolds with warmth rather than spectacle, building texture thoughtfully as it develops.

Who it's for

Choirs looking to expand beyond traditional repertoire while maintaining musicianship standards will find this accessible and rewarding. It works especially well for groups serving younger singers or audiences who connect more readily with contemporary material.

How to get the most out of it

  • Balance the melody line across sections so the hook remains clear even when all four parts are singing together. SATB writing at this length can bury the main idea if you're not deliberate about voice leading.
  • Let the rhythm breathe naturally rather than over-conducting. This song lives in contemporary grooves, and excessive metric precision will drain the life from it.
  • Experiment with how you shape dynamics across the arrangement. The emotional peak may not align with the loudest moment, and finding that distinction deepens the performance.

How to use it

This reads naturally as part of a concert pairing contemporary choral music with more traditional selections, helping audiences recognize that strong writing transcends genre boundaries. It also serves as an excellent morale builder for singers who've spent rehearsal time on classical or jazz standards.

Skills your students will build

  • Balancing melody and harmony in contemporary contexts
  • Maintaining rhythmic independence within a groove-based arrangement
  • Shaping phrasing in modern pop song structures
  • Blending contemporary performance styles with choral technique

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