You Are My Peace Sheet Music Preview

You Are My Peace: SATB Choral Octavo

By Joseph M. Martin / By David Angerman

Item: 35-DS00459548

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00459548

More about this title

About the Composer: Joseph M. Martin

Joseph M. Martin

Joseph M. Martin studied piano performance at Furman University and earned his master's degree from the University of Texas at Austin, where he later taught in the Piano Pedagogy Department for five years. A competition winner and recording artist, he has performed solo recitals across the United States and Mexico, including a nationally broadcast performance at Ex-convento del Carman in Guadalajara. His career has evolved from concert halls like Carnegie Hall to a focus on church music and worship settings, where he composes and arranges extensively.

Martin's output spans diverse venues from the Mel Tillis Theatre in Branson to hundreds of churches across North America. He continues to compose and perform while based in Austin, Texas, consistently surprising listeners with the breadth of his musical voice.

Why we love this

Martin and Angerman craft a text that feels both intimate and congregational, resisting the urge to oversell its message while still landing with emotional clarity. The writing leaves room for your singers to find genuine expression rather than dictating every emotional beat, which means your choir can own this piece rather than simply perform it.

What to expect

Serene and grounded, this piece creates a sense of stillness without demanding heaviness from your singers. The harmonies feel both modern and familiar, offering emotional resonance through simplicity rather than complexity.

Who it's for

SATB choirs seeking repertoire that works equally well in worship services, concert programs, or special occasions. This piece suits both volunteer church choirs and advanced secondary ensembles looking for meaningful material with accessible voicing.

How to get the most out of it

  • Balance the alto and tenor lines carefully in the opening sections; these inner voices carry harmonic weight that shouldn't disappear into the mix.
  • Shape phrases around the text rather than the barline, allowing slight flexibility where the words naturally breathe.
  • Let the sopranos find a comfortable weight on sustained notes instead of pushing for brightness, which will serve the intimate character.
  • Consider your choir's comfort with the overall tessiture before rehearsal planning; this score sits in a middle register that works across most voice types.

How to use it

Anchor a concert's second half or use this as a unifying closing piece that sends the audience out thoughtfully. It works particularly well paired with other contemporary sacred works or as a moment of reflection within a mixed-repertoire program.

Skills your students will build

  • Sustaining legit tone while maintaining musical line in slower tempos
  • Blending four-part harmony with attention to vertical balance
  • Text expression that prioritizes meaning over melodic display
  • Building ensemble cohesion in intimate, vulnerable musical space

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