You Are My Alleluia Sheet Music Preview

You Are My Alleluia: SATB Choral Octavo

By Joseph M. Martin and Michael E. Showalter

Item: 35-DS01219984

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01219984

More about this title

About the Composer: Joseph M. Martin and Michael E. Showalter

Joseph M. Martin has built a prolific career as a composer and arranger specifically for choral ensembles, with a deep understanding of what works in the rehearsal room and on concert stages across America. His catalog spans sacred and secular works, all shaped by his knowledge of how singers learn and what engages audiences.

Michael E. Showalter brings complementary strengths as a composer and musician whose collaborative work with Martin has produced numerous pieces for choirs seeking contemporary writing with strong harmonic language and accessible yet sophisticated musical ideas.

Why we love this

The text pairs a timeless expression of joy with music that feels fresh without demanding excessive rehearsal time. Martin and Showalter craft harmonies that sit naturally for SATB voices while creating moments of real emotional resonance that singers connect to immediately.

What to expect

The music radiates an uncomplicated joy rooted in genuine harmonic writing rather than saccharine arrangement. Singers find themselves energized by clean part writing that allows each voice to contribute meaningfully to the texture.

Who it's for

Intermediate to advanced SATB choirs looking for concert material with melodic warmth and harmonic substance. Works well for choirs seeking secular repertoire that connects emotionally without requiring extended rehearsal cycles.

How to get the most out of it

  • Balance the soprano and alto lines carefully in the opening sections; the melody should speak clearly without either part overshadowing the other.
  • Maintain rhythmic precision during unison passages to create unified phrasing and projection.
  • Shape the dynamic arc across the full length of the piece rather than treating sections in isolation; this creates narrative momentum.
  • Let the text naturally guide your tempo choices; word stress and meaning should feel organic to the singers, not fought against.

How to use it

Program this in spring concerts or end-of-year celebrations where you want closing energy that feels earned rather than forced. It works equally well as part of a thematic program built around texts of affirmation and joy, or as a standalone piece that gives your ensemble a moment to shine with straightforward, confident singing.

Skills your students will build

  • Balancing melody and harmony in SATB texture
  • Sustaining line through longer phrases without loss of energy
  • Coordinate section entrances and cutoffs with precision
  • Text projection and expression in homophonic passages

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