You Are Loved (Don't Give Up): String Orchestra Conductor Score & Parts
As performed by Josh Groban / As performed by Thomas Salter / Arranged by Larry Moore
Grade: 3-4
Item: 35-PK00319559
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Description
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More about this title
About the Artist: Josh Groban
Josh Groban emerged as a crossover artist with rare facility in both classical and popular idioms. His success in bridging concert hall and mainstream audiences demonstrates how thoughtful interpretation and vocal control can connect deeply with diverse listeners.
Why we love this
Larry Moore's arrangement captures the emotional directness of this song while giving string players genuinely musical material to shape. The Grade 3-4 scoring respects the intimacy of the original without oversimplifying, making it accessible for developing orchestras while remaining rewarding for musicians who care about phrase and tone.
What to expect
Honest and gentle. This arrangement settles into a space between chamber intimacy and full orchestral warmth, with moments of stillness that ask students to listen to each other. The harmonic language is accessible but emotionally sincere, never saccharine.
Who it's for
Directors seeking a contemporary piece that works beautifully for school concerts, holiday programs, or spring showcases. String orchestras at the late middle school or early high school level will find the part-writing clear without feeling thin.
How to get the most out of it
- Shape the melody through dynamic contrast rather than tempo variation; a steady, secure pulse lets the emotional arc live in the voice and first violins.
- Balance your violas and cellos carefully in the foundation. These parts carry harmonic weight that shouldn't get buried under the outer voices.
- Let the arrangement breathe at phrase endings. Resist the urge to push into the next section; rests are part of the emotional architecture here.
How to use it
Pair this with other contemporary vocal arrangements to showcase your orchestra's range beyond traditional classical repertoire. It works equally well as a standalone piece featuring a soloist or as part of a wedding or benefit concert where emotional connection matters more than technical display.
Skills your students will build
- Phrase shaping across longer melodic lines
- Balancing sustained accompaniment figures with solo material
- Ensemble blend and tone matching in a primarily homophonic texture
- Interpreting dynamic and expressive markings to serve the text