You Are Here (incorporating Doxology) Sheet Music Preview

You Are Here (incorporating Doxology): Choral Instrumental Pak

By Lynn DeShazo / By Michael Neale / Arranged by J. Daniel Smith

Item: 35-PK00139433

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$75.00

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Product Price Quantity
You Are Here (incorporating Doxology) - Full Score: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Flute 1 2: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Oboe: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Clarinet 1 2: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Trumpet 1: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Trumpet 2 3: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Horn 1 2: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Trombone 1 2: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Trombone 3: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Percussion: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Timpani: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Rhythm: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Violin 1: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Violin 2: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Viola: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Cello: Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Alto Sax (sub. Horn): Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Tenor Sax (sub. Tbn 2): Choral Instrumental Pak $7.00
You Are Here (incorporating Doxology) - Keyboard String Reduction: Choral Instrumental Pak $7.00

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Description
Michael Neale and Lynn DeShazo have teamed together to write this meditative song stating that God is right here in this place. Duration: ca. 4:50.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00139433

More about this title

About the Composer: Lynn DeShazo

Lynn DeShazo is a prolific composer and arranger whose work spans contemporary Christian music, choral literature, and worship settings. Her compositions balance accessibility with musical substance, making them equally at home in concert halls and congregational worship spaces.

Why we love this

The integration of the Doxology creates a dual purpose work that functions both as a standalone meditative piece and as a moment of theological weight within a concert program. DeShazo and Neale have crafted something that feels unhurried and introspective, allowing choirs to explore dynamic control and sustained ensemble singing without relying on technical fireworks.

What to expect

Calm and centered, with a sense of quiet assurance. The orchestration unfolds gradually, creating an atmosphere of contemplative space where each vocal phrase settles meaningfully before the next begins.

Who it's for

This work suits choirs seeking a reverent, concert-appropriate sacred piece that doesn't demand extreme ranges or rhythmic complexity. It works well for programs that include both contemporary and traditional repertoire, serving as a musical bridge between styles.

How to get the most out of it

  • Give attention to the meditative quality by resisting the urge to rush phrase endings; let silence breathe between musical thoughts.
  • Balance the choir and orchestral parts so the instrumental writing supports rather than overwhelms the vocal line, particularly in moments of sparse texture.
  • The inclusion of the Doxology rewards careful attention to text clarity; ensure singers understand how the familiar hymn text anchors the overall arc of the piece.

How to use it

Consider placing this as a moment of repose in a mixed concert, particularly in the second half after more energetic or dramatic works. It pairs naturally with other hymn-based compositions or with contemporary sacred pieces that share similar introspective qualities.

Skills your students will build

  • Sustained phrase singing with consistent tone quality
  • Dynamic control in soft, exposed passages
  • Blend and balance with orchestral accompaniment
  • Text expression in familiar hymn contexts
  • Ensemble precision in slower tempos

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