You Are Enough (Third movement from the suite "You Are Enough: A Mental Health Suite") Sheet Music Preview

You Are Enough (Third movement from the suite "You Are Enough: A Mental Health Suite"): TTBB Choral Octavo

By Aron Accurso and Rachel Griffin Accurso / By Aron Accurso

Item: 35-DS01280132

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You Are Enough (Third movement from the suite "You Are Enough: A Mental Health Suite"): TTBB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS01280132

More about this title

About the Composer: Aron Accurso and Rachel Griffin Accurso

Aron Accurso and Rachel Griffin Accurso are collaborative composers dedicated to creating choral music that addresses the emotional and social realities of singers' lives. Their work centers on accessible, meaningful texts paired with music that engages ensemble singers at multiple levels while remaining emotionally direct and impactful.

Why we love this

This movement stands alone as a powerful affirmation piece that works beautifully in concert without requiring the full suite. The harmonic language is sophisticated enough to hold singers' attention while the message lands clearly with every audience.

What to expect

Grounded and human. The music moves between intimate vulnerability and collective strength, never veering into saccharine territory. You feel heard, not preached to.

Who it's for

Men's choirs looking for contemporary concert repertoire with genuine artistic substance. This octavo also serves directors building programs around themes of resilience, belonging, or student wellbeing.

How to get the most out of it

  • Bring warmth to the upper voices in the homophonic sections; they carry the emotional weight of the text even when supporting the lower lines.
  • Establish a conversational dynamic between the TB and TTB voicings. These aren't competing lines but voices affirming each other.
  • Shape phrases toward moments of unison or near-unison for maximum impact; the composers have built these carefully as emotional peaks.

How to use it

Position this as a centerpiece in a set focused on modern composition or contemporary voices in choral music. It pairs effectively with other art songs or works exploring identity and acceptance, and works equally well as a festival selection or a meaningful closing number for a concert.

Skills your students will build

  • Sustaining lyrical phrasing across longer phrases in contemporary harmonic language
  • Navigating flexible voicing options (TB/TTB/TBB/TTBB) based on ensemble needs
  • Blending and balancing between upper and lower voice priorities within the same movement
  • Interpreting text with emotional authenticity in a non-traditional genre

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