Yes Indeed (arr. Earl Moon): SATB Choral Octavo

Earl Moon's SATB arrangement captures the infectious energy of Oliver's original while keeping the part-writing accessible and genuinely fun to sing. The blend of jazz harmony with barbershop sensibility gives your choir something that sounds polished without demanding virtuosity, and the rhythm and groove will energize your singers and audiences alike.

Bright, swinging, and utterly charming. The piece bounces with the kind of good humor that makes singers smile while they're singing and audiences lean forward in their seats. There's a vintage warmth here, a sense of effortless joy that comes from music written when jazz and popular song still felt like one continuous conversation.

Intermediate SATB choirs looking for a crowd-pleasing number with real musical substance. This arrangement works equally well for secular ensembles, jazz choirs, or mixed groups that want to explore styles beyond traditional classical choral fare.

• Keep the swing feel light and bouncy; resist the urge to drag the eighth notes. Think 'walking' rather than 'trudging.'
• Balance the parts so the soprano line can cut through without the altos drowning underneath, especially in tight harmony sections.
• Nail the rhythmic unisons where they occur; they're more impactful when everyone hits them together with precision.
• Use the recorded accompaniment to lock in the groove early, then pull away from it gradually as confidence builds.

Plant this in the second half of a concert to lift the energy after something more serious, or open a pops set with it. It pairs beautifully with other swing or jazz standards, and it's the kind of piece that reminds audiences why people sing together in the first place.

• Swing rhythm and jazz articulation
• Part independence in close harmony writing
• Blending across four parts with jazz-inflected sonorities
• Rhythmic precision in syncopated passages