Ye Shall Have a Song: 3-Part Mixed Choral Octavo
Words and music by Sally K. Albrecht
Item: 00-PO-0006601
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for decades, building a catalogue of more than 600 published works while serving as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, including Alfred Music. An ASCAP award recipient since 1987, she is recognized particularly for her innovative approach to choral movement and accessibility in ensemble writing. Her work has been performed at prestigious venues including Lincoln Center, Carnegie Hall, and the Kennedy Center through honor choir events she has conducted nationwide.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and taught at Oakland University, Jersey City State College, and Meredith College. A Cleveland native, she resides in North Carolina with her husband, composer and arranger Jay Althouse. She received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021 and has served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society.
Why we love this
Albrecht's echo format here makes learning the piece genuinely swift, so even newer or less confident singers find secure footing fast. The writing sits comfortably in three-part mixed voices while maintaining genuine musical dignity and joy, never sacrificing artistry for accessibility. It works equally well in a concert setting or a worship context, giving you programming flexibility without feeling like a compromise.
What to expect
Joyous and confident, with the spacious, almost hymn-like feeling of a proclamation meant to ring out. The echo format creates a sense of celebration passing through the choir itself, like voices calling and answering in a moment of shared affirmation.
Who it's for
Choirs at the intermediate level seeking uplifting sacred literature with straightforward vocal writing but professional sonority. This works beautifully for church choirs, school choirs entering competition season, and community ensembles looking for a piece that feels substantial without overwhelming singers or audiences.
How to get the most out of it
- Emphasize the call-and-response architecture between the main statement and echo sections. Let the main group sing with full confidence before the echo enters, creating clear textural dialogue rather than blur.
- Balance the parts so the echo feels like a distinct voice reacting to what precedes it, not an afterthought. This spatial clarity makes the form spring to life even in smaller performance spaces.
- Use the recorded accompaniment as a learning tool during rehearsals, then gradually reduce dependence on it as singers internalize the harmonic movement.
- Shape the text "Shout with joy" with genuine jubilation in the final section. The majestic quality depends on singers committing to the proclamatory nature of the text.
How to use it
Position this as the anchor for a sacred or holiday concert segment where you want something singable yet musically substantive. It pairs well alongside slower spiritual arrangements or devotional pieces, offering contrast while maintaining reverence. Because the text and mood suit both secular and sacred occasions, it's equally at home in spring festivals, winter holiday programs, or church services.
Skills your students will build
- Echo or call-and-response singing with clear textural distinction
- Blend and balance across three mixed parts
- Confident projection of text without strain
- Part independence while maintaining ensemble unity