Yamaha Band Ensembles, Book 1 Cover Image

Yamaha Band Ensembles, Book 1: Trombone, Baritone B.C., Bassoon Book

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Yamaha Band Ensembles, Book 1 Cover Image

Yamaha Band Ensembles, Book 1: Trombone, Baritone B.C., Bassoon Book

A Collection of Mixed Ensembles that Correlate Page-by-Page with the Yamaha Band Student

By John Kinyon and John O'Reilly

Item: 00-5252

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Description
Yamaha Band Ensembles provide interesting repertoire selections in an amazingly flexibly format that will meet the needs of your band year after year, regardless of how your group's instrumentation varies. Each piece can be performed as a solo or ensemble by any combination of same or mixed instruments. Each ensemble also correlates with a specific page in the Yamaha Band Student.

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Additional Details
Series: Yamaha Band Method
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-0164-7
ISBN13: 978-0-7390-0164-6
UPC: 038081008196
SKU: 00-5252
Instrumentation: Trombone, Baritone B.C., Bassoon

More about this title

About the Author: John Kinyon

John Kinyon

John Kinyon earned degrees from Ithaca College and the Eastman School of Music, with an honorary doctorate from Limestone College. His career spans instrumental music direction at multiple school districts, educational leadership at Warner Brothers Music in New York, and a faculty position in music education at the University of Miami.

Kinyon has composed over 250 educational works for Alfred Publishing, spanning grades 1-3 across marches, ballads, and overtures. His output reflects decades of classroom experience and a deep understanding of what young musicians need to progress musically and technically.

Why we love this

The flexibility here is genuine: you can deploy these pieces with your full lower brass section, pull out a solo part when someone's absent, or combine any trio of these instruments without reworking anything. That adaptability saves rehearsal time while keeping every arrangement musically satisfying, not like a compromise version of something better.

What to expect

These are practical, straightforward pieces that trust the musicianship of trombone, baritone, and bassoon players without talking down to them. The writing sits comfortably in the voices, allowing students to focus on balancing parts and listening across the trio rather than wrestling with range or register.

Who it's for

Band directors building a flexible repertoire for sections with unpredictable attendance, private instructors assembling trio material for lesson-day combos, and any program where lower brass musicians need to perform without waiting for the full ensemble to assemble.

How to get the most out of it

  • Correlate each piece with the corresponding page in the Yamaha Band Student so students are reinforcing exactly what they're learning in method book sequence.
  • Experiment with different instrumental combinations in rehearsal; discovering new voicings and tone colors keeps these pieces fresh across multiple performances.
  • Balance blend carefully when mixing instruments. The trombone's weight requires intentional dynamic shaping so the baritone and bassoon maintain independence rather than disappearing.

How to use it

Slot individual arrangements into concerts where your instrumentation shifts week to week, or build a standalone lower brass ensemble concert that showcases these musicians in a different spotlight. They also serve as quick, reliable warm-up material or section rehearsal pieces when you need everyone's time to count.

Skills your students will build

  • Reading in concert pitch while understanding transposition context
  • Balancing blend across three distinct timbres
  • Performing as soloist and ensemble member interchangeably
  • Sectional independence and listening
  • Repertoire coordination with method book progression

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