X Factor: Concert Band Conductor Score & Parts
By Michael Oare
Grade: 2.5
Item: 35-PK00377025
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| X Factor - Full Score | $10.00 | |
| X Factor - Flute | $6.00 | |
| X Factor - Oboe | $6.00 | |
| X Factor - Bassoon | $6.00 | |
| X Factor - Bb Clarinet 1 | $6.00 | |
| X Factor - Bb Clarinet 2 | $6.00 | |
| X Factor - Bb Bass Clarinet | $6.00 | |
| X Factor - Eb Alto Saxophone 1 | $6.00 | |
| X Factor - Eb Alto Saxophone 2 | $6.00 | |
| X Factor - Bb Tenor Saxophone | $6.00 | |
| X Factor - Eb Baritone Saxophone | $6.00 | |
| X Factor - Bb Trumpet 1 | $6.00 | |
| X Factor - Bb Trumpet 2 | $6.00 | |
| X Factor - F Horn | $6.00 | |
| X Factor - Trombone | $6.00 | |
| X Factor - Baritone B.C. | $6.00 | |
| X Factor - Baritone T.C. | $6.00 | |
| X Factor - Tuba | $6.00 | |
| X Factor - String Bass | $6.00 | |
| X Factor - Percussion 1 | $6.00 | |
| X Factor - Percussion 2 | $6.00 | |
| X Factor - Mallet Percussion 1 | $6.00 | |
| X Factor - Mallet Percussion 2 | $6.00 | |
| X Factor - Timpani | $6.00 |
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Description
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About the Composer: Michael Oare

Michael Oare brings three decades of classroom experience to his compositions for young musicians. After earning degrees in both composition and music education from Old Dominion University, he spent 33 years leading the Great Bridge Middle School bands in Chesapeake, Virginia, where his ensembles achieved superior ratings for 32 consecutive years. His works appear in GIA Publications' Teaching Music Through Performance series, and he currently conducts the Bay Youth Orchestras of Virginia Concert Band while maintaining an active presence in state and national music education organizations.
Recognized as the 2016 Chesapeake Public Schools Middle School Teacher of the Year and a two-time recipient of the National Band Association's Citation of Excellence, Oare writes from deep understanding of what student musicians need to experience growth and success. He is an ASCAP member, performs with the Virginia Wind Symphony, and holds memberships in Phi Beta Mu and other professional associations.
Why we love this
Oare constructs this piece around a single repeating rhythmic pattern that creates hypnotic forward momentum without requiring complex meter work. The layering approach means every section gets moments to shine while maintaining textural clarity, and the unexpected turns keep both musicians and audiences engaged throughout the brisk runtime.
What to expect
Driven, purposeful, and playful all at once. The single tempo never lets your foot settle, while the dynamic sculpting and layered additions create the impression of constant forward motion. There is genuine joy in the writing, particularly when the band hits those unexpected turns.
Who it's for
Grade 2.5 bands seeking rewarding concert material that engages all sections without complexity. This works equally well for groups building confidence with rhythmic stability or for experienced ensembles who enjoy musical wit and clever orchestration.
How to get the most out of it
- Establish the rhythmic foundation as a true pulse from the opening. This pattern becomes the glue holding the arrangement together, so lock it in immediately during sectionals.
- Shape the dynamic arc deliberately. Since tempo remains constant, intensity builds entirely through careful control of volume contrasts and the entrance of new instrumental layers.
- Prepare your ensemble for the surprises by marking them in rehearsal. What feels unpredictable on a first read becomes a collaborative moment of ensemble awareness with proper attention.
How to use it
Open a concert with this to establish energy and momentum, or place it mid-program to reset audience attention. Its three-minute duration and approachable Grade 2.5 level make it ideal for a mixed programming context where you want something substantive but not demanding.
Skills your students will build
- Maintaining steady tempo through rhythmic repetition
- Listening for dynamic balance when multiple articulations occur simultaneously
- Responding to ensemble cues during unpredictable structural moments
- Understanding how orchestration builds intensity without metric change