Wyoming Cowboys Cover Image

Wyoming Cowboys: String Orchestra, Conductor Score & Parts

$45.00 USD
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Wyoming Cowboys Cover Image

Wyoming Cowboys: String Orchestra, Conductor Score & Parts

By Thom Sharp

Grade: 3

Item: 36-52250943

$45.00
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Description
This piece was originally written for the boys and girls at Wyoming School District in Cincinnati, Ohio. The work is meant to be used to teach composition to the students of the orchestra. The primary musical motif is suggested by the name Wyoming Cowboys, which is what the school calls itself. The next three measures after the initial motif are left blank. It is suggested that the students fill in each of these measures with a motif of their own creation. They should use E Dorian for this composition. Enjoy creating and exploring!

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Additional Details
Series: LudwigMasters Concert Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876003-6
ISBN13: 978-1-62-876003-3
UPC: 659359996733
SKU: 36-52250943
Instrumentation: String Orchestra and Percussion (2 players; Tambourine and Temple Blocks)

More about this title

Why we love this

This piece transforms a single rehearsal into a composition workshop. Students encounter a complete musical idea, then immediately apply what they've learned by writing their own variations in E Dorian. It's the rare Grade 3 work that teaches through direct creation rather than passive listening.

What to expect

Sturdy and direct. The Wyoming Cowboys motif has the character of a school anthem: memorable, confident, built on the kind of straightforward melody that sticks with students. What follows feels like an invitation. The blank measures aren't a test; they're an open door.

Who it's for

String orchestra directors teaching Grade 3 ensembles who want composition embedded into repertoire rather than taught as a separate unit. This work pairs ensemble playing with genuine creative responsibility, making it ideal for students ready to move beyond note-reading into musical thinking.

How to get the most out of it

  • Establish the primary motif clearly in the opening so students have a strong reference point before they begin their own compositional work.
  • Have students notate their E Dorian motifs on manuscript paper before rehearsal so you can review them for tonality and rhythmic coherence.
  • Balance the ensemble carefully when different sections play their student-created measures; the contrast should feel intentional, not accidental.
  • Consider assigning one student motif per instrumental section (first violins, second violins, violas, cellos) so the entire group hears multiple approaches.

How to use it

Program this early in the year when you're establishing ensemble identity and building compositional confidence. It works beautifully in a concert dedicated to student work, paired with other student compositions or arrangements. The piece also functions as a teaching demonstration for younger ensembles watching from the audience.

Skills your students will build

  • Writing melodic motifs within a specific mode (E Dorian)
  • Understanding tonality and modal centers
  • Creating 4-measure phrases with rhythmic and melodic coherence
  • Balancing original ideas with an established compositional context
  • Notating compositions for performance by ensemble peers

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