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World Beat Encyclopedia: Guitar Book & CD

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World Beat Encyclopedia Cover Image

World Beat Encyclopedia: Guitar Book & CD

Over 450 Examples Using Exotic Rhythms from Around the World

By John Marshall

Item: 00-22594

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Description
Exotic rhythms from around the world are used in over 400 examples for guitar, with strumming, single-line, and fingerstyle variations of every beat pattern. Features rhythms of West Africa, North Africa, the Caribbean, India, Latin America and beyond, all in standard music notation and TAB. 96 pages.

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Sample Pages

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Sample Audio
1 Cha Cha from Cuba --:--
2 Dogon from Mali --:--
3 Wahhdah from Israel --:--

Cha Cha from Cuba

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7390-3323-9
ISBN13: 978-0-7390-3323-4
UPC: 038081225814
SKU: 00-22594

More about this title

About the Author: John Marshall

John Marshall has spent decades documenting and teaching world music traditions to guitar students across North America. His approach combines ethnomusicological research with practical pedagogy, making complex rhythmic patterns accessible without sacrificing cultural authenticity.

Why we love this

Most world music guitar books cherry-pick a handful of rhythms; this one gives you 400+ patterns across six continents, all playable in three textural variations. The TAB alongside standard notation means your students can jump in immediately without decoding complexity, while the accompanying CD anchors each rhythm in its cultural context so you're not guessing at feel or tempo.

What to expect

Traveling through living traditions: West African polyrhythms snap with pointed precision, Indian rhythms breathe in unexpected places, Caribbean grooves bounce with infectious ease. Each region carries its own logic, and the book respects that rather than flattening everything into a single approach.

Who it's for

Guitarists in grades 9 and up who want to expand beyond standard folk and pop strumming into authentic world music contexts. This works equally well for ensemble guitarists looking to comp in world music ensembles and solo players building stylistic range for recitals or studio work.

How to get the most out of it

  • Use the CD to internalize the groove before tackling notation; world rhythms often live in feels that sit differently on the page than in the ear.
  • Start with strumming patterns to lock the pulse, then layer single-line and fingerstyle variations once the fundamental rhythm is solid.
  • Listen to the regional recordings multiple times with fresh ears; each culture's approach to accent and dynamics shifts how the same written pattern lands.
  • Practice one geographic region at a time rather than jumping randomly through the book; repetition across related patterns builds intuition for that rhythmic language.

How to use it

Anchor a world music unit in jazz or contemporary ensembles by having guitarists work through the relevant regional section during rehearsal prep. Alternatively, assign individual rhythmic studies from different cultures as rotating warm-ups or etudes across a semester, building a toolkit students can apply to arrangements of global repertoire.

Skills your students will build

  • Reading rhythmic notation in non-standard meters and syncopation patterns
  • Executing strumming, single-line melodic, and fingerstyle guitar techniques within world music contexts
  • Developing rhythmic independence and feel through listening and imitation
  • Understanding cultural context and regional variation in rhythmic approaches
  • Translating TAB and standard notation simultaneously for faster learning

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