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Work Song: Jazz Ensemble Conductor Score & Parts

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Work Song: Jazz Ensemble Conductor Score & Parts

By Nat Adderley / arr. Terry White

Grade: 1 (Easy)

Item: 00-38661

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Description
Recorded by the Adderley brothers, Nat and "Cannonball," Nat's composition is ideal for the young player. This swing chart is catchy, easy to play, and mature sounding. Written-out solos are provided for alto 1 and trumpet 1, plus there is a great interlude and shout chorus. Trumpet 1 top note is written F-sharp, top line. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Work Song: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 78
UPC: 038081430560
SKU: 00-38661

More about this title

About the Composer: Nat Adderley

Nat Adderley was a cornet and trumpet player who became a cornerstone of soul jazz and hard bop during the 1950s and 1960s. Brother to saxophonist Cannonball Adderley, Nat led his own ensembles and composed memorable material that balanced accessibility with harmonic sophistication, making him a vital voice in bringing jazz to wider audiences.

Why we love this

Terry White's arrangement captures the infectious groove and straightforward charm of Nat Adderley's original without sacrificing the swing feel that makes this tune endure. Young ensembles get to experience a piece that sounds polished and professional while staying within their technical reach, and the written-out alto and trumpet solos give developing improvisers a clear model to learn from.

What to expect

Walking, upbeat, and inherently soulful. The melody feels natural to young players even on first read-through, while the interlude and shout chorus add character and variety that keeps the ensemble engaged and the audience entertained.

Who it's for

First-year jazz ensemble students and developing ensembles looking for their first successful group performance. Directors programming early-season concerts or festival seasons benefit from a piece that builds ensemble confidence quickly without requiring prior swing experience.

How to get the most out of it

  • Establish the groove early in sectional rehearsals by locking the rhythm section on the head and interlude; the shout chorus lands harder when the ensemble has already felt the pocket together.
  • Balance the alto 1 and trumpet 1 written solos so they sing over the ensemble without overwhelming the section. These solos are meant to sound conversational, not dominant.
  • Watch the trumpet 1 top F-sharp in context of the overall register management; it sits just high enough to grab attention without asking for extreme altissimo technique.

How to use it

Open an autumn concert with this tune to establish rapport with your audience early, or use it as an anchor piece in a jazz festival set where you want something crowd-pleasing before attempting more demanding material. The written solos also make it an excellent vehicle for introducing student soloists in a supportive ensemble context.

Skills your students will build

  • Reading and executing swing eighth-note feel
  • Balancing section sound with written solo lines
  • Responding to ensemble cues during interlude and shout chorus sections
  • Playing with consistent groove feel over a blues-based harmonic progression
  • Interpreting stylistically appropriate articulation and phrasing

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