Woodwind Quintet: New Mexico Cover Image

Woodwind Quintet: New Mexico: Woodwind Duo & Ensemble, Quintet, Score and Parts (LUDWIGMASTERS)

$12.95 USD
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Woodwind Quintet: New Mexico Cover Image

Woodwind Quintet: New Mexico: Woodwind Duo & Ensemble, Quintet, Score and Parts (LUDWIGMASTERS)

By Gene Milford

Grade: 3

Item: 36-50404001

$12.95
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Description
This dynamic quintet is a rhapsodic setting of five melodies collected by John Donald Robb from the Hispanic communities of New Mexico. The melody "Lupita" begins a series of melodies in a light, compound meter, including "Al Pie de la Ladera" and "Mi Unico Bien." The beautiful, plaintive cancion, "Palomita Que Vienes Herida," provides a striking contrast. "Guanajuato" is introduced and followed by six variations before concluding with a reprise of the opening two melodies. A great programming choice for woodwind quintets at the intermediate level.

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Additional Details
Series: LudwigMasters Woodwind Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876551-8
ISBN13: 978-1-62-876551-9
UPC: 660355078460
SKU: 36-50404001
Instrumentation: Woodwind Quintet

More about this title

Why we love this

Milford transforms authentic folk material into something that sounds fresh without losing its roots. The structural arc, moving from light compound meters through a striking contrast and then into variations, gives students genuine compositional strategy to absorb rather than just a sequence of tunes.

What to expect

Warm and unhurried, like listening to someone tell you stories from their community. The piece moves through light, lyrical passages into something more reflective, then builds energy again through variations that keep you engaged without ever feeling rushed.

Who it's for

Intermediate woodwind quintets ready to work with folk material that carries cultural weight. This works for groups that have solid intonation and blend but are still building confidence with ensemble independence.

How to get the most out of it

  • Establish a clear pulse in the compound meter sections early. The light character depends on rhythmic precision from all five voices, not just the melody line.
  • Let the cancion breathe. 'Palomita Que Vienes Herida' asks for restraint and balance; it's the emotional center, so resist the temptation to match the energy of surrounding movements.
  • The variations on 'Guanajuato' reward careful part study. Each variation redistributes the melodic material, so every player needs to know the theme cold before the variations land.
  • Balance transparency with blend in the opening section. The melodies should float, but the harmonic support underneath keeps everything grounded.

How to use it

Program this alongside other American works with folk roots to build a thematic concert section, or place it mid-program where its contrasting moods give the audience a moment of genuine reflection before moving to something more virtuosic.

Skills your students will build

  • Maintaining compound meter subdivision while conveying lyrical phrasing
  • Balanced ensemble voicing across five independent parts
  • Recognizing and executing variation technique
  • Interpretive flexibility between light, dance-like material and plaintive melody
  • Sustained tone control in slower, exposed passages

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