Woodland Glade, The Cover Image

Woodland Glade, The: Clarinet, Solo with Piano, Book

$8.95 USD
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Woodland Glade, The Cover Image
Woodland Glade, The: Clarinet, Solo with Piano, Book

Woodland Glade, The: Clarinet, Solo with Piano, Book

By Albert O. Davis

Grade: 3

Item: 36-20440402
$8.95
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Description
In the late 1800s and early 1900s, many people entertained themselves by performing or having someone else perform chamber music in what would today be known as the "living room." This parlor music frequently consisted of simple, pleasing melodies. Rarely did this parlor music venture into the realm of the more progressive music of the day. One such melody is presented here in THE WOODLAND GLADE. Albert O. Davis has crafted a simple melody that works well as a developmental piece for improving legato playing. The magic here is the beauty of the simple melodic line. When played with proper support, it will be easy for a young player to sound much more mature. Versions for clarinet and violin, both with piano accompaniment, are available from the publisher.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891402-7
ISBN13: 978-1-57-891402-9
UPC: 659859457512
SKU: 36-20440402
Instrumentation: Clarinet and Piano

More about this title

Why we love this

Davis taps into the parlor music tradition with genuine understanding, creating a piece that sounds effortless but demands real musicianship from the player. The simplicity of the melody is a gift to young clarinetists; there's nowhere to hide, which means every note must sing with intention and support. It's a rare piece that lets a Grade 3 student sound genuinely mature without requiring advanced technique.

What to expect

The piece evokes a quiet moment in nature, unhurried and contemplative. The simple melodic line unfolds like sunlight filtering through leaves, warm and graceful. There's a gentleness here that invites the player to slow down and listen.

Who it's for

Grade 3 clarinet soloists seeking a piece that develops legato singing and tonal maturity without excessive technical demands. This works equally well for recital preparation, concert programming, or solo and ensemble festivals where the focus is on musical expression rather than virtuosity.

How to get the most out of it

  • Shape the melodic line with purposeful breath support rather than relying on fingering articulation. This piece rewards singers who think like singers.
  • Work with the pianist to establish a warm, unhurried tempo that allows the melody to breathe. Rushing will collapse the legato you're building.
  • Test your intonation against the piano's harmonic foundation, particularly on longer note values where drift becomes audible.
  • Balance the weight of your tone with clarity; the beauty lies in transparency, not volume.

How to use it

Program this as an intermission opener or a gentle anchor in a recital that mixes styles and difficulty levels. Its intrinsic beauty balances well alongside showier works, and it serves as a confidence builder for developing soloists. It also pairs naturally with the companion violin version if you're exploring parlor music traditions or building a chamber music concert.

Skills your students will build

  • Legato articulation and vocal-like phrase shaping
  • Sustained tone production with consistent breath support
  • Musical communication with a chamber music partner
  • Intonation listening and adjustment in a harmonic context
  • Interpretation of simple melodies with expressive depth

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