Wondrous Praise, Book 3: Favorites from the Early 2000s Cover Image

Wondrous Praise, Book 3: Favorites from the Early 2000s: Piano Book

$14.99 USD
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Wondrous Praise, Book 3: Favorites from the Early 2000s Cover Image

Wondrous Praise, Book 3: Favorites from the Early 2000s: Piano Book

10 Arrangements of Praise and Worship

Arranged by James Koerts

Level: Early Advanced

Item: 00-39286

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Description
These selections of praise favorites from the early 2000s capture a heartfelt adoration of God and have become well-known in many churches. Titles: Beautiful One * Enough * God of Wonders * Here I Am to Worship (Light of the World) * How Great Is Our God * Indescribable * Majestic * Mighty to Save * Who Am I * Worthy Is the Lamb.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7390-8903-X
ISBN13: 978-0-7390-8903-3
UPC: 038081439389
SKU: 00-39286

More about this title

About the Arranger: James Koerts

James Koerts

James Koerts brings deep roots in church music to his work as both composer and arranger. A member of the pastoral staff at Mikado Baptist Church in Macon, Georgia, he has centered his musical life around leading congregational worship and drawing people into authentic spiritual experience through keyboard artistry.

Koerts has recorded "Wondrous Love," a CD featuring piano performances with orchestral accompaniment based on his Wondrous Hymns arrangements. He and his wife Beth live in the Macon area with their four children, where they remain active in church leadership and teaching.

Why we love this

These arrangements distill beloved early 2000s praise songs into pianistically idiomatic writing that balances accessibility with genuine musical depth. Koerts understands both what makes these melodies singable in a congregational setting and what gives them life under a soloist's hands, creating pieces that work equally well as worship accompaniments or recital selections.

What to expect

These pieces radiate sincerity and accessibility while maintaining musical craft. The writing sits comfortably under the hands without feeling simplified; you'll encounter engaging harmonic movement, thoughtful counterpoint, and moments of genuine intimacy alongside passages designed to fill a sanctuary with sound.

Who it's for

Pianists at the early advanced level who minister in church settings or want to develop a strong repertoire of contemporary sacred music for recitals and worship services. This collection appeals to students who connect spiritually with the material and benefit from playing arrangements rooted in genuine congregational use rather than purely secular contexts.

How to get the most out of it

  • Honor the lyrical intent of each melody. These songs carry theological weight; your phrasing should reflect the sincerity of their texts even when you're playing without singers.
  • Attend to the harmonic colors Koerts uses to support familiar tunes. His voicings often add subtle sophistication; resist the urge to oversimplify or rush through quiet passages.
  • Balance hands carefully in passages where the melody sits in the middle register. The arrangements often layer textural details that shouldn't disappear beneath a dominating right hand.
  • Use the pedal judiciously to extend harmonic resonance without blurring the clarity of the piano's natural decay. These songs deserve clarity alongside warmth.

How to use it

Feature individual selections as offertory or prelude music in worship settings, or build a recital around a thematic program pairing these contemporary pieces with classical hymn arrangements or other sacred repertoire. The collection's breadth allows you to select pieces that complement a specific liturgical season or congregational need.

Skills your students will build

  • Playing contemporary harmonic language with jazz-influenced voicings and chromatic movement
  • Balancing melody and accompaniment in mid-register textures
  • Pedal control for sustain and clarity in modern sacred contexts
  • Interpretive choices that honor both congregational singing and solo recital performance
  • Ensemble sensitivity through accompaniment-based arrangements rooted in vocal literature

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