Wizards in Winter: 2nd F Horn Sheet Music Preview

Wizards in Winter: 2nd F Horn

As Performed by Trans-Siberian Orchestra

Words and music by Paul O'Neill and Robert Kinkel / arr. Bob Phillips

Grade: 3.5

Item: 00-PC-0016360_H2

Digital Download
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Description
As seen in the mind-boggling Trans-Siberian Orchestra stage show! The best-selling string arrangement of this piece is now available for full orchestra. Let it soar! Whatever you do, play it large, and perhaps take a field trip to see the band live. (3:25) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Wizards in Winter: 2nd F Horn comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
Page Count: 224
SKU: 00-PC-0016360_H2

More about this title

About the Composer: Paul O'Neill

Paul O'Neill is the creative force behind Trans-Siberian Orchestra, the theatrical rock band known for elaborate stage productions and holiday storytelling. His compositions blend classical orchestral textures with rock sensibilities, creating music that appeals across generations and performance contexts. O'Neill's gift for writing memorable melodies within complex arrangements has made TSO's catalog a staple of both concert halls and arena stages.

Why we love this

Bob Phillips' full orchestra arrangement opens up this beloved rock anthem to ensembles beyond the string-focused version. The Grade 3.5 instrumentation allows intermediate orchestras to tackle contemporary music with real harmonic and textural substance, and the 3:25 duration fits naturally into concert programming without overshadowing surrounding repertoire.

What to expect

Driving, cinematic, and luminous. Wizards in Winter builds from deliberate articulation and rhythmic precision into soaring melodic passages that showcase string and woodwind writing. The piece channels theatrical energy without requiring theatrical staging.

Who it's for

Intermediate to advancing full orchestras seeking accessible contemporary repertoire with genuine musical substance. Directors programming winter or holiday concerts will find this piece draws audiences while remaining technically approachable for Grade 3.5 ensembles.

How to get the most out of it

  • Balance the rock rhythmic foundation in the rhythm section against soaring string writing; neither should overwhelm the other.
  • Lean into the dramatic dynamic shifts that define the piece's arc; clarity matters more than raw volume.
  • Lock the ensemble's pulse by emphasizing the connection between percussion and bass parts during the faster passages.
  • Allow the melodic voices to sing through their lines even in dense orchestral moments; shape phrases rather than playing mechanically.

How to use it

Program this as a centerpiece in a winter or holiday concert, where its familiarity and rock sensibility balance traditional classical works. It works equally well as a closer or as a strategic second half opener that energizes an audience.

Skills your students will build

  • Playing rhythmically complex figures in a rock idiom while maintaining classical articulation standards
  • Balancing tutti orchestration with distinct voice independence
  • Executing rapid dynamic shifts and textural changes with ensemble cohesion
  • Interpreting contemporary popular music through a full orchestra lens

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