Wizards in Winter Cover Image

Wizards in Winter: Full Orchestra Conductor Score & Parts

$75.00 USD
Sale price  $75.00 USD Regular price 
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Wizards in Winter Cover Image

Wizards in Winter: Full Orchestra Conductor Score & Parts

As Performed by Trans-Siberian Orchestra

Words and music by Paul O'Neill and Robert Kinkel / arr. Bob Phillips

Grade: 3.5

Item: 00-41237

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Description
As seen in the mind-boggling Trans-Siberian Orchestra stage show! The best-selling string arrangement of this piece is now available for full orchestra. Let it soar! Whatever you do, play it large, and perhaps take a field trip to see the band live. (3:25) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Wizards in Winter: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
Page Count: 224
UPC: 038081480206
SKU: 00-41237

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded the Trans-Siberian Orchestra in 1996 and has served as the ensemble's creative force ever since. His gift for blending classical instrumentation with rock sensibilities and theatrical storytelling has made TSO one of the most successful touring acts in modern music, performing to millions of fans across North America and beyond.

Why we love this

This arrangement captures the electrifying energy of the Trans-Siberian Orchestra's live show in a format your orchestra can actually perform. The orchestration balances pyrotechnic string writing with accessible parts for every section, making it feel ambitious without requiring virtuosos in every chair.

What to expect

Imagine winter as something electric: sharp, driving, and alive with motion. The piece combines soaring strings and muscular rhythms with the kind of propulsive energy you hear in stadium rock, creating a sound that is equal parts classical grandeur and modern spectacle. It's winter reimagined as a force rather than a season.

Who it's for

Orchestra directors seeking repertoire that excites students and audiences alike will find this an immediate crowd pleaser. This works well for ensembles with solid Grade 3.5 fundamentals and enough string depth to balance the doubled melodic lines. The rock energy makes it particularly engaging for students who might not typically gravitate toward orchestral concert music.

How to get the most out of it

  • Shape the arpeggiated figures with clear attack and release; these patterns drive the piece's momentum, so precision in the string sections will energize the entire orchestra.
  • Balance the rock-influenced rhythmic elements (especially in the percussion and lower strings) against the soaring melodic lines so neither overshadows the other.
  • Work the tempo gradually to full speed rather than rushing in; the piece gains its thundering quality through building intensity, not from the opening downbeat.
  • Treat dynamic contrasts as structural markers: the crescendos and drops between sections are what make this piece land with the theatrical impact it deserves.

How to use it

Open a winter or holiday concert with this piece to set a bold, contemporary tone and signal to your audience that orchestral music can be thrilling and urgent. It pairs well with traditional holiday repertoire, offering a dramatic counterpoint that keeps the program feeling fresh. The three-and-a-half-minute runtime makes it ideal for creating a strong opening or standalone feature without overcommitting performance time.

Skills your students will build

  • Reading and executing rhythmic precision in rock-influenced ensemble contexts
  • Balancing sustained melodic writing with percussive rhythmic patterns
  • Dynamic control across a full orchestral range from soft attacks to powerful tuttis
  • Responding to quick tempo changes and sectional transitions
  • Understanding how classical and contemporary idioms can coexist in the same arrangement

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