Within the Castle Walls: Bassoon
By Brian Balmages
Grade: 3
Item: 98-PC-DB1509_B1
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About the Composer: Brian Balmages

Brian Balmages has established himself as a significant voice in contemporary classical and band music, with commissions and performances spanning orchestral, chamber, and wind ensemble repertoire. His works have reached audiences at Carnegie Hall, the Kennedy Center, Sydney Opera House, and Toronto Centre for the Arts, performed by ensembles ranging from professional orchestras to school groups. He holds membership in the American Bandmasters Association and received the A. Austin Harding Award from the American School Band Directors Association, along with the 2020 NBA William D. Revelli Composition Contest prize for "Love and Light."
Balmages served as director of publications and digital education for Alfred and MakeMusic while maintaining an active guest conducting schedule with all-state ensembles, university groups, and professional organizations worldwide. His music appeared in the 2013 Presidential Inaugural Prayer Service, and he has received distinguished alumni recognition from James Madison University and a commissioning honor from the University of Miami for the presidential inauguration. His international conducting engagements have included appearances at the Midwest Clinic, Western International Band Clinic, and conferences throughout Australia, Europe, and North America.
Why we love this
Balmages captures the emotional sweep of Welsh history without leaning on folk-song arrangements alone. His structural approach, drawing from the Grainger tradition of surrounding authentic material with thoughtful original writing, gives bands something musically substantial to dig into at Grade 3. The four-movement arc moves intelligently from heroic to reflective to triumphant, and the snare drum color in the finale creates a visceral moment that students will remember long after contest.
What to expect
The suite unfolds like a historical tapestry woven from song and ceremony. Heroic opening gestures give way to genuine melancholy, then shift into proud, defiant statements of cultural identity. The final movement crackles with energy and the distinctive timbre of Welsh martial tradition, bringing the entire work to a climactic, unified statement.
Who it's for
Grade 3 concert bands seeking substantive, culturally grounded repertoire that challenges musicianship without demanding virtuosity. This work suits intermediate programs ready to engage with historical narrative and national identity through music, making it especially valuable for bands exploring programming beyond standard contest fare.
How to get the most out of it
- Balance the original material in the first movement against the folk melody itself; Balmages frames the tune as the emotional center, so let the accompanying voices support rather than compete.
- Shape the second movement's longer lines with clear phrase direction; "Over the Stone" needs the band to breathe as a unified ensemble to capture its yearning character.
- Bring out the rhythmic precision of the drum corps texture in the finale. Multiple high-pitched snares demand clean articulation and consistent dynamic control from the front ensemble.
- Listen carefully to the nationalism in "Men of Harlech." Pride and strength are different qualities; one can sound brash, the other noble. Target the latter with your ensemble.
How to use it
Program this as a centerpiece for a concert exploring world music traditions or as a contest selection that demonstrates musical maturity at the Grade 3 level. The four-movement structure and thematic coherence make it strong enough to anchor a first-half program, or pair it with contrasting lighter works to showcase range and depth within your band's repertoire.
Skills your students will build
- Phrasing across longer melodic lines in contrasting tempos
- Balance and blend when original material surrounds a folk melody
- Precision in complex rhythmic textures, especially in the finale's snare drum writing
- Interpretation of cultural and historical context through musical expression
- Dynamic control across four distinct movements with varied emotional demands