With Or Without You (arr. Christian Blaha) Sheet Music Preview

With Or Without You (arr. Christian Blaha): SAB Choral Octavo

As performed by U2 / Arranged by Christian Blaha

Item: 35-DS00488374

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Additional Details
Publisher: Hal Leonard
Page Count: 180
SKU: 35-DS00488374

More about this title

About the Artist: U2

U2 emerged from Dublin in the late 1970s to become one of the most influential rock bands of the modern era. Their sound, built on Bono's soaring vocals and The Edge's textural guitar work, defined the stadium rock aesthetic for generations of listeners. The band's catalog spans decades of artistic evolution, from post-punk experimentation to arena-filling anthems that explore themes of faith, loss, and human connection.

Why we love this

Blaha's arrangement captures the emotional core of this iconic ballad while making it accessible to developing choirs. The SAB voicing sits comfortably across a range of ability levels, and the minimal accompaniment lets the voices shine without overwhelming them. Programming a contemporary song this well-known creates genuine excitement among singers and audiences alike.

What to expect

Sparse and intimate, this arrangement captures the song's original quality of quiet devotion. The three-part writing allows moments of solo voice to emerge before coming back together, mirroring the song's exploration of loneliness and connection.

Who it's for

Choirs looking to add contemporary repertoire with real emotional weight and accessibility. The SAB voicing works equally well for community ensembles, high school choirs, and collegiate groups seeking material that resonates with modern audiences.

How to get the most out of it

  • Shape the melody with restraint in the verse. This song lives in vulnerability, so encourage singers to sing softly enough that the audience leans in to listen.
  • Balance the parts carefully in sections where all three voice parts move independently. Run the harmony parts separately first so singers hear exactly where they sit in the vertical texture.
  • Let the accompaniment breathe. If using the recorded track, ensure your tempo aligns with it in rehearsal early on, then pull back slightly on volume during performances to keep focus on the vocal lines.

How to use it

This works beautifully as a bridge between traditional repertoire and contemporary concert programming. Use it to close a set or open the second half of a concert, where its reflective quality offers a necessary emotional contrast. It also serves as an excellent choice for spring concerts or graduation performances.

Skills your students will build

  • Sustaining long tonal lines with consistent support
  • Blending three independent voice parts without doubling
  • Interpreting contemporary harmony with clarity and intonation
  • Singing with vocal restraint and intentional dynamic control

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