With One Voice Sheet Music Preview

With One Voice: 2-Part Choral Octavo

By Kirby Shaw

Item: 35-DS01438905

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01438905

More about this title

About the Composer: Kirby Shaw

Kirby Shaw

Kirby Shaw's choral output has shaped music education across North America and Europe. With advanced degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington, Shaw combines rigorous craft with an infectious teaching style. He founded and directed award-winning vocal jazz ensembles at three universities and has mentored directly with legends like Bobby McFerrin, Mark Murphy, and Al Jarreau. His catalog of over 2,500 arrangements and original compositions has sold nearly 20 million copies worldwide, earning him multiple ASCAP awards.

Shaw's career reflects deep roots in both classical choral tradition and contemporary vocal idioms. He spent his early years teaching in Mt. Shasta public schools before establishing himself as a conductor and educator at the collegiate level. Currently directing the Jefferson State Choral Coalition at Southern Oregon University, Shaw continues to create music for high-profile ensembles, including recent commissions for the Mormon Tabernacle Choir. His creative partnerships with his wife, Markita, extend into theatrical composition, bringing the same pedagogical intelligence to original musical works.

Why we love this

Shaw's gift for accessible yet sophisticated writing shines in this two-part setting. The piece demands honest singing and musical maturity while remaining singable for developing singers, which is no small feat. You'll find clear part writing, memorable melody, and the kind of straightforward emotional authenticity that makes choral music matter.

What to expect

This piece has the warmth of genuine ensemble singing. Two voices blend into something larger than the sum of their parts, creating a sense of unity and shared purpose that audiences recognize immediately. The musical language feels both contemporary and timeless.

Who it's for

Two-part choirs looking for repertoire that respects developing singers while offering genuine musical substance. This works well for middle school ensembles, smaller high school programs, and community choirs seeking concert material that sounds polished without excessive complexity.

How to get the most out of it

  • Balance the two parts by thinking of them as equal voices rather than melody and harmony. Each line carries musical weight.
  • Set a comfortable tempo that allows singers to shape phrases without rushing; resist the urge to hurry through passage work.
  • Encourage singers to listen across parts during rehearsal, using sectional work to build independence before blending the voices together.
  • Pay attention to the text; Shaw's arrangements typically serve the lyrical content, so underlay clarity and intentional word stress will enhance the overall effect.

How to use it

Fit this into a concert program where you need a moment of clarity and directness between larger works. Two-part settings offer excellent programming balance, giving singers a different kind of challenge and providing the audience with welcome variety. This works equally well as a standalone piece or as part of a thematic program.

Skills your students will build

  • Independent part singing in two voices
  • Sustaining musical lines without relying on doubling
  • Blend and balance between two distinct vocal parts
  • Textual interpretation and musical expression in shorter forms
  • Intonation accuracy across phrase spans

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