With Every Breath I Take Sheet Music Preview

With Every Breath I Take: SATB Choral Octavo

As performed by Cy Coleman / Arranged by Paris Rutherford

Item: 35-DS00278032

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00278032

More about this title

About the Artist: Cy Coleman

Cy Coleman was a composer and pianist who defined the sound of mid-century musical theater. His gift for crafting sophisticated, memorable melodies paired with jazz-inflected harmonies set him apart from his contemporaries. Coleman's work on Broadway, including "Sweet Charity" and "On the Twentieth Century," demonstrated his mastery of both accessibility and musical depth, making his songs equally at home in a concert hall or a packed theater.

Why we love this

Paris Rutherford's arrangement captures the intimate vulnerability of this Coleman standard while preserving its Broadway sophistication. The SATB voicing balances textural richness with singability, giving every section a moment to shine without requiring extended vocal range or technical gymnastics. This is the kind of piece that sounds effortless in performance but teaches singers how to shape a legit melody with genuine emotional weight.

What to expect

The piece has a quiet intensity, as if the singer is confessing something just barely audible to a single listener. Coleman's melody breathes with the rhythm of conversation, and Rutherford's voicing envelops it in warm, occasionally unexpected harmonies that deepen the emotional stakes with each phrase.

Who it's for

This arrangement works for treble and mixed choirs looking to program something contemporary in style yet rooted in classic American songwriting. It suits choirs at the intermediate level and beyond who can handle lyrical singing and sustain lines with purpose.

How to get the most out of it

  • Shape the phrase arc by thinking of each musical sentence as a single breath, even when the text requires punctuation. This creates continuity rather than choppiness.
  • Pay attention to how the harmonies move beneath the melody. Coleman's chords shift in ways that might feel unexpected at first, so lock them in early so singers hear the sophistication rather than struggle with intonation.
  • Balance the soloistic quality of the top line with the support of the lower three voices. This isn't a piece where altos and tenors disappear; they're integral to the emotional landscape.
  • Approach the dynamics with subtlety. Resist the urge to make big jumps; instead, let the harmonic shifts do much of the expressive work.

How to use it

Pair this with other standards from the American Songbook tradition, or use it as a bridge between classical repertoire and contemporary pop arrangements. It works particularly well in a concert exploring how jazz harmony has shaped modern vocal music, or as a touching closer to a set that explores themes of vulnerability and connection.

Skills your students will build

  • Singing legit melody with proper phrase shaping and breath placement
  • Reading jazz-influenced harmony voicings (extended chords, chromatic movement)
  • Balancing independence within an ensemble (functional harmony awareness)
  • Controlling dynamics in mid-range rather than relying on volume shifts

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