With All I Am I Will Praise My God: SATB Choral Octavo
By Lloyd Larson
Item: 35-DS01986029
Digital Download
$2.75
Minimum order quantity: 10 copies
Please note: Under U.S. copyright law, you must purchase the exact number of copies needed for your ensemble. Printing, duplicating or sharing additional copies is strictly prohibited.
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Description
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Lloyd Larson has built a prolific career as a composer, organist, and music educator with deep roots in church music. His output spans anthems, cantatas, organ works, and congregational pieces that prioritize accessibility without sacrificing musical substance. Larson's gift lies in crafting settings that serve both the liturgical moment and the singers performing them, making his work a staple in volunteer and professional choirs across North America.
Why we love this
Larson builds this affirmation around text that invites genuine conviction from singers. The writing sits comfortably across all four parts without sacrificing harmonic interest, and the musical arc naturally supports the theological progression, giving your choir something substantive to inhabit rather than simply execute.
What to expect
An earnest, articulate declaration built on steady harmonic ground. The music conveys conviction without bombast, creating space for reflection as much as affirmation.
Who it's for
This octavo suits adult choirs, strong high school programs, and church choirs with solid fundamentals. The part-writing assumes singers who read confidently but doesn't demand soloistic skill from any voice.
How to get the most out of it
Establish the harmonic foundation in early rehearsals by isolating sections; SATB voicing works best when each part understands its relationship to the chord structure rather than just following the melody line.
Let the text drive phrasing choices. Singers often default to mechanical phrase lengths, but allowing breath and punctuation to follow the natural language patterns will deepen the piece's expressive impact.
Balance soprano and alto lines where they double or move in parallel; a soprano-heavy sound can muddy Larson's harmonic clarity in this range.
How to use it
Place this as a centerpiece in a contemporary worship service or a choral concert focused on sacred repertoire. Its length and emotional weight make it a natural closer to a longer concert set, or a strong anchor in a meditative program section.
Skills your students will build
Four-part harmonic independence and voice leading awareness
Text painting and phrase shaping in sacred music contexts
Balancing blend across soprano and alto sections in divisi passages
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