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Wired: String Orchestra Conductor Score

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Wired: String Orchestra Conductor Score

By Lauren Bernofsky

Grade: 3

Item: 98-ST6302S

$11.00
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Description
An uncanny combination of rock and classical styles, this piece has an unstoppable energy running through it - pure electricity! Driving eighth notes are slowly layered before an infectious groove in the lower strings takes over with attitude. Engaging for every player in the orchestra, this piece is a guaranteed way to win over your students, audience, and just about anyone within earshot!

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444569818
SKU: 98-ST6302S

More about this title

About the Composer: Lauren Bernofsky

Lauren Bernofsky

Lauren Bernofsky's catalog spans over a hundred compositions across solo, chamber, orchestral, operatic, and ballet formats. Lukas Foss described her as "a master composer," and her work consistently balances intellectual rigor with emotional directness. Her accolades include the National Flute Association's Newly Published Music Competition (for Sonatine), the Opera Puppets Award at Boston Metro Opera, and the top prize in the Dalai Lama Composition Contest.

Bernofsky holds degrees from The Hartt School, New England Conservatory, and Boston University, and has taught at both the Peabody Institute and Interlochen Center for the Arts. Her commissions come from regional symphonies, dance companies, and specialized ensembles, while her string quartet Anacostia Journal received national exposure on PBS. She brings the perspective of a trained violinist and classically educated composer to everything she writes.

Why we love this

Bernofsky captures genuine rock attitude within a string orchestra texture, avoiding the tired "strings meet rock" formula. Every section gets meaningful material, so your players stay engaged throughout the rehearsal process and on stage. The piece channels kinetic momentum that audiences instinctively respond to, making it an excellent choice when you need to remind people that contemporary string writing can hit hard.

What to expect

Pure forward momentum. From the first layered eighth notes through the infectious groove of the lower strings, the piece pulses with an electric restlessness that refuses to settle. It's contemporary without being experimental, energetic without being exhausting, and genuinely fun to play.

Who it's for

Grade 3 orchestras ready for contemporary language and rhythmic drive. This works well for ensembles that have solid fundamental skills and want to explore music beyond the standard classical repertoire. Directors looking to program something that speaks to student musicians and audience members alike will find immediate traction here.

How to get the most out of it

  • Lock the layering strategy early. Spend rehearsal time on how each instrumental entrance lands, since the building texture is what generates the electricity. Clean execution of the adds matters more than tempo at this stage.
  • Let the groove in the lower strings breathe with attitude. Cellos and basses should feel the rock vernacular in their phrasing, not play it as classical legato.
  • The driving eighth notes require consistent rhythmic precision across all players. Use sectional work to ensure violins lock in with the pulse from the very first entrance.
  • Match bow weight to intensity. The unstoppable energy depends on articulation choices that reflect rock vernacular, not just fast note values.

How to use it

Position this as a concert opener or anchor it in a themed program that explores how strings navigate contemporary idioms. It pairs well with classical warhorses because the contrast illuminates what makes each approach distinctive. The energy also makes it an effective finale if you want audiences leaving charged rather than contemplative.

Skills your students will build

  • Layering and entrance precision in contemporary textures
  • Rhythmic independence while maintaining ensemble cohesion
  • Rock-vernacular phrasing and articulation in a classical ensemble
  • Balancing part independence across the string section
  • Reading and performing sustained lines alongside driving rhythmic figures

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