Winter Wonderland (arr. Ed Waesche) Sheet Music Preview

Winter Wonderland (arr. Ed Waesche): SATB Choral Octavo

By Dick Smith Felix Bernard / By Dick Smith / By Felix Bernard / Arranged by Ed Waesche

Item: 35-DS00472736

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00472736

More about this title

About the Composer: Dick Smith Felix Bernard

Dick Smith and Felix Bernard wrote "Winter Wonderland" in 1934, and the song has become a perennial favorite across genres and performance contexts. Their accessible melody and warmly nostalgic lyrics have made it a staple of holiday programming for nearly a century, recorded by everyone from classical singers to jazz ensembles.

Why we love this

Ed Waesche's arrangement brings genuine swing and humor to this standard without losing its seasonal charm. The jazz and barbershop inflections invite singers to explore rhythmic flexibility and blend while staying true to a song audiences know and love, making it both musically rewarding and immediately satisfying for holiday concerts.

What to expect

Crisp and upbeat with a touch of sass. The arrangement captures that moment of childlike wonder mixed with adult amusement, full of harmonic color and rhythmic bounce that keeps the familiar tune fresh.

Who it's for

SATB choirs looking for a holiday selection with personality and jazz credentials. This works equally well for community choirs, church singers, and high school programs seeking something beyond standard Christmas fare.

How to get the most out of it

  • Lean into the swing feel in the rhythmic figures; this isn't a straight, classical reading. Let your singers feel the lilt before drilling precision.
  • Balance the upper and lower voices carefully in the harmony sections to ensure the jazz voicings ring cleanly rather than muddy.
  • Work the diction as part of the arrangement's character. The text should feel conversational and slightly playful, not overly formal.

How to use it

Pair this with a more lyrical or classical holiday piece to show range within a single concert. It also reads beautifully as a palate cleanser between heavier works or as a show-closer that sends the audience out smiling.

Skills your students will build

  • Singing with swing articulation and rhythmic elasticity
  • Balancing jazz harmony voicings for clarity and blend
  • Interpreting jazz and barbershop style conventions
  • Coordinating rhythmic independence in ensemble settings

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