Winter Wonderland Sheet Music Preview

Winter Wonderland: 2-Part Choral Octavo

Words by Dick Smith, music by Felix Bernard / arr. Andy Beck

Item: 00-PO-0002244

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$2.10

Minimum order quantity: 20 copies

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Description
A great new arrangement from Andy Beck of the perennial holiday classic. It's the perfect choice for your December concerts, yet it's really a "winter" song, with no mention of Christmas. Add the optional sleighbells and bring a "winter wonderland" to your next holiday concert.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0002244
Instrumentation: Opt. Sleighbells

More about this title

About the Composer: Felix Bernard

Felix Bernard composed "Winter Wonderland" in 1934, creating one of the most enduring secular winter songs in American popular music. His melody has become a standard across multiple genres and voicings, performed by everyone from jazz ensembles to full orchestras, proving its versatility and broad appeal.

Why we love this

Andy Beck's 2-part arrangement brings accessibility without sacrificing musicality; singers at this level get real harmonic movement and interesting phrasing rather than a simplified skeleton. The optional sleighbells add texture and festive energy without requiring percussion literacy from your students, and the arrangement's swing-inflected pop sensibility keeps the song fresh rather than predictable.

What to expect

Cozy and conversational, with the gentle swing of a winter evening walk. The two-part voicing creates warm, close harmonies that feel intimate rather than expansive, while the pop sensibility and optional sleighbells keep it light and contemporary.

Who it's for

Middle school and high school choirs seeking approachable yet musically satisfying holiday repertoire. This works equally well for general music classes, treble choirs, or mixed ensembles that want a secular winter song without religious references.

How to get the most out of it

  • Balance the melody between your two parts by having singers listen for when the harmony moves away from unison; this trains ear independence early.
  • Let the recorded accompaniment set a relaxed, conversational tempo rather than pushing the swing feel into something rigid; the song breathes better when phrasing feels natural.
  • If you add sleighbells, assign them to students who can manage a steady quarter-note pulse without watching the conductor; this frees your ensemble to focus on blend and intonation.
  • Shape the phrase endings with a gentle lift rather than a hard cut; winter songs reward legato phrasing that mirrors the song's contemplative mood.

How to use it

Program this as the opening number of a December concert to set a festive but secular tone for the evening. It also pairs well alongside other pop or jazz-inflected holiday selections, and works beautifully as a closer if you want to end on something joyful and accessible.

Skills your students will build

  • Reading and singing two-part harmony
  • Responding to swing rhythms and jazz phrasing conventions
  • Balancing melody and harmonic parts in an ensemble
  • Performing with recorded accompaniment while maintaining independence

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