Winter Wonderland: Choral SoundPax
Words by Dick Smith, music by Felix Bernard / arr. Greg Jasperse
Item: 00-PK-0007265
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| Product | Price | Quantity |
|---|---|---|
| Winter Wonderland: Guitar: Choral SoundPax | $5.00 | |
| Winter Wonderland: Bass: Choral SoundPax | $5.00 | |
| Winter Wonderland: Drumset: Choral SoundPax | $5.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Winter Wonderland: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Felix Bernard
Felix Bernard composed "Winter Wonderland" in 1934, creating one of the most enduring secular holiday songs in American music. His gift for melody and seasonal charm made the piece an instant standard, recorded countless times across genres and decades.
Why we love this
Greg Jasperse's arrangement gives this familiar tune a sophisticated jazz treatment that feels fresh without abandoning the melody listeners know by heart. The flowing accompaniment and voiced harmonies elevate a simple holiday favorite into genuinely artistic choral writing, making it a standout choice for programs seeking polish and warmth together.
What to expect
Warm, sophisticated, and graceful. The arrangement wraps the beloved melody in lush jazz harmonies that feel like a fond revisiting of a classic rather than a complete reimagining. The exquisite accompaniment creates a flowing backdrop that invites singers and listeners alike into a moment of genuine holiday reflection.
Who it's for
This arrangement works for choirs of intermediate skill and above who can handle jazz harmonies with security and blend. It's ideal for holiday programs seeking a familiar title that doesn't feel like a simplified arrangement, and for groups ready to explore jazz voicing in a festive context.
How to get the most out of it
- Balance the jazz harmonies by listening carefully to inner voices during sectional rehearsals; the richness comes from all four parts equally present.
- Use the recorded accompaniment in early rehearsals to establish the groove and phrasing before voices solidify their parts.
- Shape the flowing accompaniment style with gentle dynamic shaping across phrases rather than holding a single level throughout.
How to use it
Place this on the second half of your winter concert as a reprieve from more demanding repertoire, or as the finale if you want to send the audience out with accessible joy and artistic sophistication. It pairs beautifully with other jazz-influenced pieces or with a cappella literature, offering programming variety without clashing stylistically.
Skills your students will build
- Jazz harmony voicing and blend in four-part texture
- Phrasing and shaping in styles beyond traditional classical music
- Rhythmic independence within a jazz groove accompaniment