Winter Wonderland Cover Image

Winter Wonderland: SATB Choral Octavo

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Winter Wonderland Cover Image

Winter Wonderland: SATB Choral Octavo

Words by Dick Smith, music by Felix Bernard / arr. Kirby Shaw

Item: 00-48900

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Description
Kirby Shaw's jazzy arrangement is inspired by Michael Bublé's recording of this cherished holiday standard. Each new refrain glistens more than the last as the lightly syncopated gem unfolds. Perform with the optional SoundTrax accompaniment or a handful of horns and live rhythm section (SoundPax parts available). Pizazzy holiday cheer!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Winter Wonderland: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081562247
SKU: 00-48900

More about this title

About the Composer: Felix Bernard

Felix Bernard composed "Winter Wonderland" in 1934, creating one of the most enduring secular holiday songs in American popular music. His straightforward melodic gift and simple harmonic foundation made the tune instantly singable, allowing it to transcend genres and generations while remaining accessible to performers of all levels.

Why we love this

Kirby Shaw's arrangement captures the sophisticated ease of contemporary holiday pop without sacrificing choral warmth. The syncopated unfolding and layered refrains give singers genuine musical stakes; this isn't background music, but a piece that rewards attention to blend, phrasing, and groove.

What to expect

Sophisticated and warm, like walking through a snowy city at night with friends. The arrangement sparkles with each refrain while the underlying simplicity of the melody keeps everything grounded and singable, creating a modern holiday sound that feels both polished and genuine.

Who it's for

Holiday choirs seeking contemporary style with real substance, treble and lower voice singers who can handle syncopated phrasing and blend shifts, and programs that want a secular alternative to traditional carols without compromising musicality.

How to get the most out of it

  • Keep the swing feel conversational rather than rigid; the syncopation should feel natural, not mechanical, so the text lands clearly.
  • Balance the refrain layers carefully so each new iteration grows in texture without one voice part drowning out the others.
  • If adding the optional horn or rhythm section parts, let the ensemble lock onto the groove with the rhythm section first, then layer the choral parts.
  • Shape the ending with purpose; the arrangement's "pizazzy" quality should land as intentional joy, not just fast and loud.

How to use it

Place this near the end of your holiday concert where the audience is ready for contemporary cheer; it pairs well with both traditional carol sets and other pop arrangements. The optional instrumental parts make it work equally well as a purely choral showcase or as a collaboration with your jazz band or instrumental ensemble.

Skills your students will build

  • Singing syncopated rhythms with precision and musicality
  • Blending voice parts as they layer and shift across refrains
  • Interpreting swing-influenced phrasing in a choral context
  • Balancing jazz-informed ensemble sound with clear diction

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