Winter Bells: 2-Part Choral Octavo
Music by Mykola Leontovych / arr., with new words, by Alan Billingsley
Item: 00-PO-0006982
Minimum order quantity: 20 copies
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Description
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- Assignment, recording, and assessment tools within MakeMusic Cloud
- Part-predominant and accompaniment tracks
- Printable sheet music (with a standard MakeMusic Cloud subscription)
- Correlated rehearsal guides and performance notes
- Rights to perform in a live or virtual setting
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More about this title
About the Composer: Mykola Leontovych
Mykola Leontovych (1877–1921) was a Ukrainian composer whose choral works became cornerstones of Eastern European choral literature. Though his life was cut short by the upheaval of the Russian Revolution, his compositional legacy endured through pieces that captured the spirit and traditions of Ukrainian music.
Leontovych's "Carol of the Bells" stands as one of the most recognizable and performed Ukrainian compositions worldwide. Originally titled "Shchedryk," the work exemplifies his gift for weaving folk melody with rich harmonic texture. For choral directors, his music offers an accessible entry point into non-Western musical traditions while maintaining the emotional directness that makes his work so enduring in concert halls and holiday programs.
Why we love this
This arrangement captures the magic of a Ukrainian carol without overwhelming young singers. Alan Billingsley's setting for 2-part voices keeps the iconic bell-ringing melody front and center while the textured accompaniment and playful text painting (those cascading "jing, jingles" and "fa la la's") give singers something genuinely fun to sing, not just a simplified version of the "real" piece.
What to expect
Festive and kinetic, with the energy of winter bells cutting through a clear, cold sky. The choral writing sparkles; textured vocal lines create layers of sound that feel ornate despite the accessible voicing, and the familiar "Carol of the Bells" melody grounds singers in a piece they likely already know by ear, even if they're encountering it in its original Ukrainian form for the first time.
Who it's for
Young choristers in middle school or beginning high school treble choirs benefit most from this setting. Singers need only modest part-reading skills and can handle the straightforward 2-part texture while engaging with a genuinely sophisticated musical tradition and an instantly recognizable melody.
How to get the most out of it
- Bring out the bell imagery in your interpretation. The recorded accompaniment includes actual bell sounds; use this to anchor singers' understanding of the rhythmic and tonal palette they're reinforcing with their vocal lines.
- Treat the "jing, jingle" and "fa la la" sections as rhythmic precision work. These bursts of text require clean articulation and unified vowel shape to create the shimmering, celebratory effect Billingsley wrote.
- Balance the two parts carefully during moments where they diverge. Since this is only 2-part voicing, overlapping or weaving passages need deliberate attention so neither line gets buried.
- Work the recorded accompaniment into early rehearsals rather than saving it for later. Singers will internalize the harmonic and rhythmic framework faster with the full texture supporting them from the start.
How to use it
This works beautifully as the opening or anchor piece in a winter concert that spans multiple cultural traditions. Pair it with other holiday selections to create a program that moves beyond Anglo-American carol staples. Its 12-page length and engaging character also make it suitable for a shorter winter assembly program where you want strong musical impact without demanding an extended rehearsal investment.
Skills your students will build
- Singing in 2-part harmony with independent melodic lines
- Rhythmic precision in quick, articulated text passages
- Reading and interpreting non-English diction (Ukrainian carol tradition)
- Following recorded accompaniment as a rehearsal and performance tool
- Interpreting text painting and imagery in a non-holiday secular context