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Winners: Brass Quintet Score & Parts

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Winners: Brass Quintet Score & Parts

Traditional / arr. Ty Watson

Level: Medium

Item: 81-BQ21108

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Description
This was an award winning composition for the 1994 Glenn Gould Composition Contest sponsored by the Canada and Bermuda Territory of the Salvation Army. This is a spirited arrangement of the song We Shall Win. Also included with the quintet parts is an optional percussion line which adds a new colour to the traditional quintet sound.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001279
SKU: 81-BQ21108
Instrumentation: Brass Quintet

More about this title

Why we love this

Watson's arrangement takes a beloved hymn tune and transforms it into a vehicle for brass ensemble virtuosity without losing the song's spiritual core. The optional percussion part proves that a traditional quintet sound doesn't have to stay traditional. Contest-winning compositions often disappear after competition season; this one deserves repeated programming.

What to expect

Spirited and affirmative. The arrangement brings energy and forward motion to a hymn tune without losing its grounded character. Watson's writing sparkles, especially when percussion colors emerge alongside the brass.

Who it's for

Brass quintets preparing for concert performance or festival competition. The medium difficulty level welcomes ensembles beyond student bands while remaining accessible enough for confident high school players.

How to get the most out of it

  • Balance the melodic line across the three upper voices during the main statement. The arrangement distributes "We Shall Win" across multiple instruments, so ensure none dominates the unified gesture.
  • Treat the optional percussion line as an orchestrational choice, not an afterthought. If you include it, integrate it from early rehearsals so rhythmic precision locks with the brass entrance points.
  • Shape the harmonic progressions with attention to the underlying hymn tune. The arrangement honors the original song's structure, so let phrasing support rather than obscure it.

How to use it

Program this as a standalone brass feature on concert or festival schedules. Its contest-winning pedigree and optional percussion flexibility make it ideal for variety programming between heavier chamber works or full ensemble pieces.

Skills your students will build

  • Voicing balance in multi-part brass writing
  • Coordination between brass and optional percussion parts
  • Phrasing and shaping of familiar melodic material in new arrangements
  • Rhythmic precision in spirited tempos
  • Part independence within an ensemble texture

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