Winged Victory - Elementary Supplemental (A) (Beacons of Light): Concert Band Conductor Score & Parts
Beacons of Light
By Brian Balmages
Grade: 1
Item: 98-DB1341
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Description
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About the Composer: Brian Balmages

Brian Balmages has built a reputation as a composer whose work thrives across orchestral, band, and chamber contexts. His music has graced stages from Carnegie Hall to the Sydney Opera House, performed by everyone from professional orchestras to elementary ensembles. He holds membership in the American Bandmasters Association, received the A. Austin Harding Award from the American School Band Directors Association, and won the 2020 NBA William D. Revelli Composition Contest for Love and Light.
Beyond the page, Balmages maintains an active conducting schedule with all-state ensembles, university groups, and professional orchestras worldwide. He has guest conducted at the Midwest Clinic, Western International Band Clinic, and the American School Band Directors Association National Conference. His work has reached the highest civic stages, performed as part of the 2013 Presidential Inaugural Prayer Service. Currently serving as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, he continues shaping both the repertoire and the tools that music educators rely on.
Why we love this
This is a genuine recruiting tool that lets elementary and advanced bands perform together with musical dignity on both parts. Rather than padding the elementary score with busywork, Balmages gives younger students real responsibility in the harmonic and melodic fabric, which means they're learning from the arrangement itself. The patriotic content carries weight without manipulation, making it equally effective as a concert closer or a building moment during the school year.
What to expect
Stately and purposeful, with the kind of straightforward harmonic language that lets young voices contribute meaningfully to something larger than themselves. The patriotic character is earnest and bright, built on accessible melodic shapes that don't require advanced technical facility but still demand musical intention.
Who it's for
Elementary bands ready to play alongside an advanced ensemble, or programs looking to field a massed band experience without compromising either group's material. It works equally well as a recruitment showcase, where younger students see themselves playing real repertoire on a real stage.
How to get the most out of it
- Rehearse the full band together frequently. The interplay between parts creates momentum that individual sectional work won't achieve; students need to hear where their line sits against the advanced version to lock the piece together.
- Balance transparency over volume. Elementary players will want to overpower the texture; remind them that their job is to fill harmonic space, not compete with the advanced band's melodic lines.
- Conduct with clear phrase shape. The patriotic material responds to confident, longer-lined conducting; avoid chopping it into small beats.
- Record a rehearsal run-through and listen as an ensemble. Hearing themselves together (without the pressure of performing) builds confidence and identifies balance issues quickly.
How to use it
Anchor a massed band concert or end-of-year performance where both groups take the stage together. This also serves as a powerful recruitment tool at the elementary level, letting fifth and sixth graders experience what playing in a full band sounds like. Alternately, use it as a stand-alone opener or closer for an elementary concert, showing parents what first-year students can accomplish with solid fundamentals.
Skills your students will build
- Reading and executing parts written in concert pitch (no transposition)
- Maintaining steady rhythm while listening to a separate melodic line above
- Blending voice within a harmonic texture
- Responding to large-form conducting gestures
- Sustaining tone with musical intention rather than mechanical playing