Wind Song: 1st B-flat Trumpet
By Robert W. Smith
Grade: 2
Item: 98-PC-RWS1715_T1
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Description
Original Item#: RWS-1715-00
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More about this title
About the Composer: Robert W. Smith

Robert W. Smith stands among America's most prolific composers for concert band and orchestra, with over 400 published works to his credit. Educated at Troy State University (AL) and the University of Miami (FL), Smith has built a career writing original music that ranges from accessible developing band repertoire to ambitious symphonic works performed across North America, Europe, Australia, and Asia. His symphonies The Divine Comedy and The Odyssey have become touchstones in the repertoire, while pieces like The Tempest have secured their place as standards for young ensembles.
Beyond the concert stage, Smith's music has reached global audiences through television broadcasts, Olympic ceremonies, and cultural events including the Macy's Thanksgiving Day Parade and Opening Day at Dodger Stadium. His work as a conductor and clinician has taken him across the United States, Canada, Japan, Australia, and Europe, where he continues to shape how young musicians experience contemporary concert band literature.
Why we love this
Wind Song delivers exactly what a Grade 2 band needs: a piece that sounds mature and purposeful while remaining genuinely playable for developing musicians. Every section gets meaningful material that keeps students engaged rather than sidelined, and the gentle, memorable melody gives your ensemble something beautiful to work toward without technical barriers getting in the way. It's the kind of piece that sounds like a real concert, not a rehearsal exercise.
What to expect
Wind Song unfolds as a gentle, lyrical journey with a melody that settles into memory almost immediately. The warm harmonic backdrop and consistent engagement of all band sections create an intimate, collaborative sound that feels both mature and encouraging to performers. It's the kind of piece that lets young musicians experience what it means to play musically without wrestling with technical complexity.
Who it's for
Wind Song is ideal for developing concert bands working at Grade 2 level who want to perform repertoire with artistic substance. Directors building a program around accessible, emotionally engaging literature will find this piece rewarding for both rehearsal pedagogy and concert presentation. It works equally well for festival adjudication or school concerts where demonstrating musicianship matters as much as technical display.
How to get the most out of it
- Shape the melody with consistent phrase breathing. Identify where the line naturally resolves and support those moments with subtle dynamic shaping in the inner voices.
- Balance the warm harmonic color by bringing out secondary voices when they echo or counter the main theme. This turns a straightforward tune into a full orchestration.
- Let the tempo breathe slightly at phrase endings without losing forward motion. Young players often rush lyrical passages; a conductor's gentle shape through these sections prevents that tendency.
- Create separation between sections during tutti passages by having parts pulse gently into sustained chords rather than locking rigidly. This lets the band sound ensemble-like, not mechanical.
How to use it
Program Wind Song early in your concert to establish a reflective, engaged tone before moving into more energetic repertoire. It pairs naturally with contrasting Grade 2 concert band works, especially those with more rhythmic vitality, creating meaningful variety in a festival program. The piece also works well in a spring concert celebrating the ensemble's growth throughout the year, as it showcases what students can achieve when focus shifts toward artistry and ensemble blend.
Skills your students will build
- Sustaining long tones with consistent tone quality across the band
- Shaping individual phrases within a larger melodic arc
- Balancing supporting harmonic material against the primary theme
- Responding to conductor's gesture for musical expression rather than counting mechanically
- Blending as a section while maintaining individual voice clarity