Fresh, contemporary-sounding piece features a hypnotic left-hand ostinato, delicate textures, changing meter, singing right-hand melody and legato pedaling. This charming solo offers modern harmonies and repeated left-hand patterns which make it easy to play and memorize.
Discover MakeMusic Cloud: thousands of interactive titles your students can play along with today.
Wynn-Anne Rossi is a composer known for writing accessible, contemporary piano music that speaks directly to intermediate students. Her work bridges classical training with modern musical language, creating pieces that feel fresh without sacrificing musical substance.
Why we love this
Wind Chimes captures that sweet spot where contemporary harmony and repetitive figuration actually support memorization rather than complicate it. Students feel like they're playing something genuinely modern while the hypnotic left-hand pattern does the heavy lifting, letting them focus on phrasing and pedal control in the right hand.
What to expect
Wind Chimes floats between minimalism and lyricism, creating a contemplative soundscape where a singing melody rests atop gently shifting harmonic support. The changing meters and modern harmonies feel natural rather than imposed, giving the piece an improvisational quality that draws listeners in.
Who it's for
Intermediate pianists ready to explore contemporary sound worlds without abandoning accessibility. This piece rewards students who enjoy minimal, meditative textures and want to build pedal technique through musical application rather than abstract exercises.
How to get the most out of it
Establish the left-hand ostinato as a steady pulse before adding the melody; this foundation makes meter changes feel intentional rather than disruptive.
Experiment with the sustain pedal during the legato sections to let harmonies bloom, but change it cleanly at each harmonic shift to avoid muddiness.
Let the repeated patterns breathe; resist the urge to rush into the next phrase, especially where the texture thins out.
How to use it
Pair this with other contemporary solo repertoire in a student recital to showcase range, or use it as a palate-cleansing interlude between more dramatic works. It also serves well in studio classes where students benefit from hearing peers tackle modern harmonic language and asymmetrical forms.
Skills your students will build
Independent hand coordination with contrasting textures (ostinato versus melody)
Sustain pedal control and harmonic awareness
Sight-reading and performance of changing meters
Legato phrasing and tone shaping in the right hand
Memorization of contemporary harmonic language
You May Also Like
Scan to Complete Your Purchase
Use your phone's camera to scan the code below
You'll log in on your phone and the order will be added to your account