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Wild Horses: Piano Sheet

$3.99 USD
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Wild Horses Cover Image

Wild Horses: Piano Sheet

Words and music by Mick Jagger and Keith Richards / recorded by Susan Boyle / arr. Carol Matz

Level: Big Note

Item: 00-34676

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Description
A new big note piano arrangement of The Rolling Stones' rock classic, as performed by Britain's Got Talent singing sensation Susan Boyle.

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Additional Details
Publisher: Alfred Music
Page Count: 8
ISBN10: 0-7390-6904-7
ISBN13: 978-0-7390-6904-2
UPC: 038081388458
SKU: 00-34676

More about this title

About the Composer: Mick Jagger

Mick Jagger co-wrote "Wild Horses" with Keith Richards in 1970, establishing it as one of the Rolling Stones' most enduring compositions. The song showcases Jagger's gift for crafting melodies that balance emotional vulnerability with rock swagger, and it has become a standard across genres—from intimate acoustic versions to full orchestral arrangements.

For music educators, Jagger's work demonstrates how popular songwriting can contain sophisticated harmonic movement and memorable melodic contours worthy of serious study. His influence on popular music extends far beyond rock, making him an essential figure in understanding how contemporary music literacy intersects with classical tradition.

Why we love this

Carol Matz's big note arrangement makes this rock classic accessible to early intermediate pianists without sacrificing the song's emotional core. Susan Boyle's rendition gives students a touchstone for how the melody can be performed with genuine feeling, and this version captures that warmth while remaining playable within the big note framework.

What to expect

The melody carries a bittersweet, yearning quality—tender without being sentimental. The rock context gives it propulsive energy, but the big note format allows pianists to breathe and shape the phrase naturally, revealing the song's quiet vulnerability beneath its confident exterior.

Who it's for

Early intermediate pianists seeking bridge material between classical foundations and popular music they actually want to play. This arrangement is ideal for students building confidence with rock repertoire, as well as for recitals or casual performance settings where accessibility meets musical substance.

How to get the most out of it

  • Shape the melody with subtle rubato rather than strict metronomic timing; the song invites a conversational, almost lyrical approach even in the rock context.
  • Balance the left hand accompaniment so it supports the vocal line without overwhelming it—this is a singer's song first.
  • Attend to dynamic contrast between verses and any fuller sections; restraint in quieter passages makes the emotional payoff more powerful.
  • Practice the piece at a slower tempo first to lock in the harmonic changes, then gradually increase speed to find the sweet spot between rock energy and melodic clarity.

How to use it

Pair this with classical pieces in a student recital to demonstrate musical range and comfort across genres. It also works beautifully as a stand-alone encore or as part of a themed program celebrating how rock standards translate across instrumental formats.

Skills your students will build

  • Reading big note arrangements with consistent accidentals
  • Interpreting rock-style harmonic progressions on piano
  • Balancing melody and accompaniment texture
  • Applying rubato and expressive shaping to popular song forms
  • Connecting to recorded vocal performance as a learning reference

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