Wie und Warum Volume 1 Cover Image

Wie und Warum Volume 1: Violin Solo Book

$22.95 USD
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Wie und Warum Volume 1 Cover Image

Wie und Warum Volume 1: Violin Solo Book

By Hugo Seling

Item: 98-EP4677A

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Description
"Der Weg zur Passagentechnik by Hugo Seling (1881-1974) contains scale and chord studies for violin, with examples from the concert literature in the appendix."

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 60
ISBN10: 0-01403-097-1
ISBN13: 979-0-01403-097-1
UPC: 0
SKU: 98-EP4677A

More about this title

About the Composer: Hugo Seling

Hugo Seling (1881-1974) was a German violinist and pedagogue whose teaching methods emerged from his deep understanding of both technical mastery and musical expressivity. His scale and chord studies remain valued in violin pedagogy for their systematic approach to passage work, grounded in the idioms of the Romantic concert repertoire.

Why we love this

Seling's pedagogical vision shines through in how he bridges technical studies with real musical contexts. The inclusion of concert literature examples transforms what could be dry exercises into opportunities to understand how passage work functions in the repertoire students actually want to play.

What to expect

Purposeful and grounded. The studies have a practical focus that feels connected to real musical goals rather than abstract technical drilling. Moving through the book, you build technical security while gradually recognizing these same patterns in the pieces you're learning.

Who it's for

Violin students working at intermediate to advanced levels who are ready to move beyond basic scales and into the systematic development of passage technique. This book serves teachers who want their students to understand the mechanical and musical foundations of how virtuosic passages are built and executed.

How to get the most out of it

  • Work through the scale and chord studies methodically before consulting the literature examples, then return to compare how Seling's technical patterns appear in actual concert passages.
  • Pay attention to the appendix examples as models for tone production and vibrato placement during passage work, not just for fingering solutions.
  • Practice the studies at varied tempos and dynamic levels to develop control beyond the written notation.
  • Use the structure of each study to address specific technical challenges in passages you're preparing from other repertoire.

How to use it

Incorporate this as a centerpiece of your student's technical study during repertoire-focused seasons when you're teaching pieces with substantial passage work. The concert literature examples make it particularly useful as a bridge between technique class and solo preparation.

Skills your students will build

  • Systematic passage technique (scales, arpeggios, and broken chord patterns)
  • Finger dexterity and coordination across varied technical patterns
  • Understanding how technical figures function in concert literature
  • Tone control and vibrato management during fast passage work
  • Fluency in identifying and executing standard passage types across different keys

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