Wicked - Part 2 (arr. Richard L. Saucedo) Sheet Music Preview

Wicked - Part 2 (arr. Richard L. Saucedo): Marching Band Conductor Score & Parts

By Stephen Schwartz / Arranged by Richard L. Saucedo

Grade: 4

Item: 35-PK01507670

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$75.00

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Product Price Quantity
Wicked - Part 2 (arr. Richard L. Saucedo) - Full Score $8.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Flute/Piccolo $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Bb Clarinet $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Bb Bass Clarinet $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Eb Alto Sax $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Bb Tenor Sax $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Eb Baritone Sax $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - 1st Bb Trumpet $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - 2nd Bb Trumpet $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - 3rd Bb Trumpet $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - F Horn $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Bb Horn/Flugelhorn $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - 1st Trombone $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - 2nd Trombone $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Baritone B.C. $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Baritone T.C. $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Tuba $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Electric Bass $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Keyboard Percussion $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Snare Drum $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Cymbals $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Quad Toms $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Multiple Bass Drums $6.00
Wicked - Part 2 (arr. Richard L. Saucedo) - Aux Percussion $6.00

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Description
From the hit Broadway musical, this production number includes a light rock treatment of "Dancing Through Life" and a creative setting of "Defying Gravity". This is skillfully constructed to include musical contrasts and visual impact points for the field.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01507670

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz has shaped American musical theater for nearly five decades, creating scores that balance emotional depth with accessibility. His work on Wicked introduced millions to contemporary musical storytelling, combining witty dialogue with songs that linger long after the final curtain. For music educators, Schwartz's compositions offer the rare gift of material that excites students while maintaining genuine artistic substance.

Why we love this

Saucedo's arrangement captures the Broadway energy of these iconic numbers without overwhelming a marching ensemble. The pairing of "Dancing Through Life" in a light rock setting with the soaring "Defying Gravity" creates natural momentum and emotional arc on the field. You get contemporary repertoire that audiences recognize and students actively want to perform.

What to expect

You move from the infectious, carefree energy of defying convention and living in the moment straight into the breathtaking vulnerability of someone discovering their own strength. The arrangement lifts you from the everyday into something transcendent, with enough accessibility that every player feels the emotional stakes.

Who it's for

Grade 4 bands with solid section balance and the maturity to handle two distinct stylistic worlds in one arrangement. This works especially well for groups comfortable with contemporary Broadway material and programs looking to feature recognizable music that energizes audiences.

How to get the most out of it

  • Nail the rhythmic precision in "Dancing Through Life"; the groove matters more than pushing the tempo. Let the rock feel breathe rather than charging forward.
  • Build "Defying Gravity" gradually through the second half. The orchestration expands purposefully, so resist the urge to peak early in the arrangement.
  • Emphasize the visual impact points Saucedo has written in. These moments are designed to land both musically and visually on the field, so coordinate drill and music cues carefully.
  • Balance the contrasting moods between sections. The lighter first number sets up the power ballad brilliantly if you don't oversell either one.

How to use it

This sits perfectly as a closer to a concert set where you want to send the audience home energized and humming. Consider programming it after more traditional selections to showcase your band's versatility, or feature it as a homecoming or spring concert anchor. The two contrasting numbers also make it ideal for intermediate-level marching bands looking to build a cohesive production around recognizable material.

Skills your students will build

  • Stylistic differentiation between light rock and contemporary ballad writing
  • Dynamic control across a two-movement form with contrasting moods
  • Rhythmic precision in syncopated ensemble passages
  • Sustaining melodic lines at varied vocal ranges within an instrumental context
  • Responding to marked visual and sonic cues for field placement and musical release

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