Who I'd Be (from Shrek The Musical): Piano Vocal

This baritone solo captures the vulnerability beneath Shrek's gruff exterior in a way that works beautifully in solo voice recitals, cabaret settings, or concert programming. The writing sits comfortably in a practical range while demanding real emotional intelligence from the performer, making it both singable and substantially rewarding. Tesori's melody unfolds with theatrical clarity, supported by a piano part that enhances without overwhelming.

There's a wry humor laced through genuine longing here; Shrek is contemplating possibility while protecting himself against hope. The music walks the same line, allowing moments of real tenderness to peek through before pulling back into self-protective deflection.

Baritone soloists preparing audition material, recital repertoire, or concert performance will find a contemporary piece with genuine substance. Directors building Broadway-focused programming or looking to represent musical theater's contemporary composers in concert settings should consider this for mature singers comfortable with character work.

• Shape the phrases with intention around Shrek's internal conflict; the song hinges on conviction beneath the deflection.
• Balance the piano accompaniment so it remains supportive of the vocal line rather than competing for attention.
• Pay attention to the dramatic arc of the text; comedic moments need precision, not exaggeration.

Feature this in a musical theater recital series or concert dedicated to contemporary Broadway composition. It pairs well alongside character songs from other modern musicals where emotional complexity matters more than spectacle.

• Managing comedic timing within a musical phrase
• Building emotional subtext beneath seemingly straightforward melody
• Balancing theatrical character work with vocal technique
• Interpreting contemporary Broadway compositional style