Who Are You: Jazz Ensemble Conductor Score & Parts
By Peter Townshend / As performed by The Who / Arranged by Richard Tuttobene
Grade: 4
Item: 35-PK00248890
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Who Are You - Conductor Score (Full Score) | $6.00 | |
| Who Are You - Alto Sax 1 | $6.00 | |
| Who Are You - Alto Sax 2 | $6.00 | |
| Who Are You - Tenor Sax 1 | $6.00 | |
| Who Are You - Tenor Sax 2 | $6.00 | |
| Who Are You - Baritone Sax | $6.00 | |
| Who Are You - Trumpet 1 | $6.00 | |
| Who Are You - Trumpet 2 | $6.00 | |
| Who Are You - Trumpet 3 | $6.00 | |
| Who Are You - Trumpet 4 | $6.00 | |
| Who Are You - Trombone 1 | $6.00 | |
| Who Are You - Trombone 2 | $6.00 | |
| Who Are You - Trombone 3 | $6.00 | |
| Who Are You - Trombone 4 | $6.00 | |
| Who Are You - Guitar | $6.00 | |
| Who Are You - Piano | $6.00 | |
| Who Are You - Bass | $6.00 | |
| Who Are You - Drums | $6.00 |
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Description
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More about this title
About the Composer: Peter Townshend
Peter Townshend stands as one of rock music's most inventive composers and guitarists. As The Who's primary songwriter, he created a catalog of rock operas and anthemic hits that fundamentally shaped how popular music could be structured, orchestrated, and performed.
Townshend's compositional approach combines melodic hooks with dynamic arrangements and lyrical depth. His work demonstrates how rock songwriting can balance accessibility with musical sophistication, a quality that makes his pieces valuable additions to jazz ensemble repertoires seeking contemporary relevance.
Why we love this
Tuttobene's arrangement captures the explosive energy of the original while genuinely exploiting what a jazz ensemble can offer. The shift from rock to swing and back again keeps both the band and audience engaged, and guitar and drum solos provide natural leadership moments for your section players without requiring extended virtuosity.
What to expect
The track opens with relentless forward momentum, all sharp attacks and propulsive groove. Then it breathes, settling into a swinging midsection before the rock urgency returns, leaving the band and listener exhilarated by the stylistic journey.
Who it's for
Grade 4 jazz ensembles with solid section balance and musicians comfortable shifting between contemporary rock and swing vocabularies. This works well for groups ready to tackle a rock standard in a jazz context and seeking repertoire that engages audiences beyond traditional jazz settings.
How to get the most out of it
- Lock the rhythmic feel between bass and drums during the opening rock section; the pocket needs to be tight enough that the intensity builds without rushing.
- Balance the guitar solo against the ensemble background so it cuts through without overpowering the horn colors behind it.
- Treat the swing section as a genuine style change, not just a tempo shift. Allow the band time in rehearsal to feel the difference in articulation and swing interpretation.
- Keep the final rock return crisp and punchy. Build energy as you transition back in rather than simply returning to what came before.
How to use it
Feature this in a spring concert showcasing contemporary interpretations of classic rock, or use it as a finale to demonstrate how jazz vocabularies can refresh popular material. It pairs well with other Tuttobene arrangements of well-known hits, creating a cohesive set that appeals to families and younger listeners.
Skills your students will build
- Navigating style shifts between rock groove and swing feel within a single piece
- Articulation and phrasing specific to contemporary rock and jazz idioms
- Supporting and balancing soloists while maintaining ensemble cohesion
- Reading and executing syncopated rhythmic figures in a high-energy context