Who Are You: Marching Band Conductor Score & Parts
By Peter Townshend / As performed by The Who / Arranged by Tim Waters
Grade: 3
Item: 35-PK00123432
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Who Are You - Full Score | $6.00 | |
| Who Are You - Flute/Piccolo | $6.00 | |
| Who Are You - Bb Clarinet | $6.00 | |
| Who Are You - Eb Alto Sax | $6.00 | |
| Who Are You - Bb Tenor Sax | $6.00 | |
| Who Are You - Eb Baritone Sax | $6.00 | |
| Who Are You - 1st Bb Trumpet | $6.00 | |
| Who Are You - 2nd Bb Trumpet | $6.00 | |
| Who Are You - 3rd Bb Trumpet | $6.00 | |
| Who Are You - F Horn | $6.00 | |
| Who Are You - Bb Horn/Flugelhorn | $6.00 | |
| Who Are You - 1st Trombone | $6.00 | |
| Who Are You - 2nd Trombone | $6.00 | |
| Who Are You - Baritone B.C. | $6.00 | |
| Who Are You - Baritone T.C. | $6.00 | |
| Who Are You - Tuba | $6.00 | |
| Who Are You - Electric Bass | $6.00 | |
| Who Are You - Bells/Xylophone | $6.00 | |
| Who Are You - Snare Drum | $6.00 | |
| Who Are You - Cymbals | $6.00 | |
| Who Are You - Quad Toms | $6.00 | |
| Who Are You - Multiple Bass Drums | $6.00 | |
| Who Are You - Aux Percussion | $6.00 |
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Description
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More about this title
About the Composer: Peter Townshend
Peter Townshend stands as one of rock's most consequential songwriters and guitarists, best known as the primary composer and lead guitarist of The Who. His work defined the stadium rock sound of the 1960s and 70s, combining power chord riffs with introspective lyrics that addressed generational conflict and social change. For music educators, Townshend's legacy offers a crucial model of how rock composition can achieve both accessibility and artistic depth.
Why we love this
This arrangement captures everything that made The Who legendary: a driving, unrelenting rhythm section and a hook so memorable that audiences will instantly recognize it from the CSI opening. At Grade 3, it's ambitious enough to challenge your students without requiring virtuosic soloists, making it an ideal vehicle for building ensemble cohesion and confidence in contemporary repertoire.
What to expect
The music radiates pure kinetic energy from the first downbeat. It's insistent and powerful without being bombastic, letting the directness of the melody and the hypnotic pulse of the rhythm section do the work. Your students will feel the momentum building with every phrase.
Who it's for
This is perfect for high school marching bands ready to program contemporary rock that audiences genuinely know and love. It works equally well for directors seeking an engaging contest selection or a crowd-pleasing field show moment, and it gives students the rewarding experience of performing a legitimate cultural touchstone.
How to get the most out of it
- Establish the signature riff as the backbone of your section balance. This iconic guitar motif needs to cut through clearly, so dial in the woodwind and brass volume ratios in rehearsal before layering drums.
- Keep the tempo rock-solid and slightly on the front of the beat. This era's rock aesthetic favors a propulsive feel rather than the traditional rebound pattern, so guide your drum line accordingly during early rehearsals.
- Shape the volume arch across the full arrangement. The track builds momentum progressively, so differentiate your dynamics section by section rather than treating it as one sustained fortissimo.
- Pay attention to articulation consistency across like voices. Rock writing often relies on tight, matched tonguing and note releases to create the punchy character that defines the style.
How to use it
Schedule this as a closer or as a strategic midsection piece in a field show where you need to shift audience energy. The instant recognizability makes it ideal for programs featuring both classical and contemporary music, and it demonstrates to your community that marching arts embrace modern repertoire with genuine musicianship.
Skills your students will build
- Executing driving rock rhythms with precision and pocket
- Balancing melody and accompaniment in contemporary ensemble textures
- Matching articulation and tone color across a section
- Reading and performing from parts that emphasize rhythmic coordination over traditional melodic hierarchy