White Winter Hymnal (arr. Alan Billingsley) Sheet Music Preview

White Winter Hymnal (arr. Alan Billingsley): SSAA Choral Octavo

As performed by Pentatonix / As performed by Fleet Foxes / Arranged by Alan Billingsley

Item: 35-DS00310462

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00310462

More about this title

About the Artist: Pentatonix

Pentatonix emerged as a powerhouse in contemporary a cappella, winning the third season of NBC's The Sing-Off in 2011 and building a devoted following through innovative vocal arrangements and multimedia performances. Their catalog spans pop hits, holiday classics, and original compositions, all executed with meticulous attention to layered vocal texture and rhythmic precision. For music educators, their work offers a masterclass in how arrangers can adapt contemporary and traditional material for ensemble voices, making them a valuable reference point for teaching modern choral technique.

Why we love this

Alan Billingsley has crafted an arrangement that preserves the luminous, almost ethereal quality of the original while remaining genuinely singable for high school and college choirs. The SSAA voicing opens this piece to a wider range of ensembles without sacrificing the vocal sophistication that makes the tune so compelling. You'll find yourself reaching for this year after year because it works equally well as a concert anchor, a winter program standout, or a confidence builder for singers who love contemporary material.

What to expect

Snow falling in silence, captured in harmony. The piece unfolds with a crystalline beauty that feels both modern and timeless, its close voicings creating intimate moments that open suddenly into luminous full-choir textures. There's an understated joy in the writing, never sentimental, always genuine.

Who it's for

SSAA and SSAA choirs at the high school, community college, and adult levels will find this arrangement accessible yet rewarding. Singers who gravitate toward contemporary music and a cappella repertoire will connect immediately with both the source material and Billingsley's thoughtful voice writing.

How to get the most out of it

  • Treat the blend as primary; Billingsley's voicing depends on seamless transitions between parts, so spend rehearsal time matching vowel colors across sections rather than pushing individual lines.
  • Shape each phrase with gentle dynamic waves rather than dramatic shifts. This piece thrives on restraint and clarity, which means every soprano leap and alto sustain should feel inevitable rather than forced.
  • Let the rhythm breathe. The original has an almost folk-like quality despite its modern production; resist the urge to lock into a metronomic tempo and instead follow the natural ebb and flow of the text.

How to use it

This arrangement fits naturally into a winter concert as either an opening piece (its calm sets the tone) or a closing benediction that leaves audiences with something both contemporary and emotionally resonant. It also pairs well with traditional or folk-inspired repertoire as a bridge between seasons and styles, showing your choir's stylistic range in a single program.

Skills your students will build

  • Blending across SSAA voicings with attention to vowel matching
  • Sustaining pure vowels over multiple measures in close harmony
  • Navigating rhythmic independence within homophonic texture
  • Interpreting contemporary music with emotional nuance rather than overt expression

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