White Christmas (arr. Deke Sharon): SATB Choral Octavo
By Irving Berlin / Arranged by Deke Sharon
Item: 35-DS00132472
Digital Download
$2.99
Minimum order quantity: 10 copies
Please note: Under U.S. copyright law, you must purchase the exact number of copies needed for your ensemble. Printing, duplicating or sharing additional copies is strictly prohibited.
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Description
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Irving Berlin (1888-1989) was one of America's most prolific songwriters, composing over 1,000 songs across stage, film, and popular music. His melodies are marked by simplicity and directness, yet they burrow into memory with remarkable staying power. Berlin's gift for writing in the vernacular of American musical theater made his work accessible to performers and audiences alike, and his songs remain staples of the choral repertoire decades after their composition.
Why we love this
Deke Sharon's arrangement captures the song's warmth without sentimentality, giving your singers a piece that feels both familiar and fresh. The four-part writing sits comfortably in the middle of the voice range, making it achievable for mixed choirs at all levels while maintaining harmonic sophistication. This is the arrangement that actually lets the melody shine rather than drowning it in baroque counterpoint.
What to expect
Nostalgic without being cloying, intimate without being small. The arrangement settles into a warm harmonic space that feels like gathering around a piano on a winter evening. There's gentle motion underneath the familiar melody, giving the piece movement and shape rather than letting it sit static.
Who it's for
Any choir looking for a December program piece that resonates beyond the holiday season. The straightforward voicing makes it accessible for high school and community choirs, while the subtle harmonic language keeps it interesting for more experienced ensembles.
How to get the most out of it
Balance the melody line clearly in the soprano part, especially in the opening phrase. The other voices should support without competing for attention.
Shape the text expressively through the phrase arcs rather than by sudden dynamic shifts. Let the lyrics guide your breath placement and phrasing.
Work the blend in the block harmony sections by listening for consistent vowel sounds across all four parts simultaneously.
This piece lives in the warmth of legit singing. Encourage singers to imagine they're singing this to friends, not projecting to the back of the hall.
How to use it
This works beautifully as a closing piece on a December concert, offering a moment of genuine connection after heavier seasonal repertoire. It also pairs well with other arranged standards in a pop or American songbook set, giving you a piece that bridges classical choral technique with contemporary accessibility.
Skills your students will build
Voice blending in a cappella four-part writing
Singing a primary melody while maintaining harmonic awareness
Text interpretation and lyrical phrasing in popular song
Intonation in extended harmonic passages without instrumental support
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