White Christmas (arr. Deke Sharon) Sheet Music Preview

White Christmas (arr. Deke Sharon): TTBB Choral Octavo

Arranged by Deke Sharon

Item: 35-DS00132470

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00132470

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About the Arranger: Deke Sharon

Deke Sharon

Deke Sharon emerged from the San Francisco music scene as a child performer, eventually sharing stages with opera greats like Pavarotti before pivoting to what would become his life's work. He is widely recognized as the architect of modern a cappella, developing the layered, instrument-like vocal textures that defined contemporary collegiate and professional ensembles. As founder of the House Jacks, he elevated a cappella to concert halls and major television appearances, performing alongside Ray Charles, James Brown, and The Temptations, and later shaped the sound of the Pitch Perfect films as arranger and vocal producer.

Beyond his performing career, Sharon built the infrastructure of contemporary a cappella itself. He founded the Contemporary A Cappella Society in college and established the CARAs, ICCAs, and other competitions and conferences that now drive the genre globally. With over 2,000 arrangements in print, he remains the field's most prolific arranger, and his book A Cappella Arranging has become a standard reference for the craft.

Why we love this

Sharon brings the precision and energy that made Pitch Perfect so aurally compelling to a holiday standard, treating the arrangement as a vehicle for tight harmonic work and rhythmic interplay rather than mere nostalgia. The TTBB voicing sits naturally for male voices while maintaining the clarity and sophistication his arrangements are known for. A choir tackling this will experience how a master arranger balances accessibility with the kind of detail that keeps singers engaged through multiple performances.

What to expect

Warm but never schmaltzy, with the kind of sophisticated chord movement that keeps the ear engaged even on a familiar melody. The arrangement has a modern polish to it, drawing from the layered, contemporary a cappella vocabulary Sharon pioneered, yet it never loses sight of the tune's essential warmth. There's an ease to singing it once you find the groove, but the harmonic density beneath the surface rewards careful listening.

Who it's for

Male or mixed choirs wanting a contemporary take on a holiday essential without resorting to overly complex arranging or novelty treatments. Groups comfortable with tight a cappella textures and looking to add variety to their December programming will find Sharon's approach both singable and musically substantial. This works equally well for collegiate groups, community choirs, and high school ensembles with solid blend and intonation.

How to get the most out of it

  • Lock the harmonic foundation with your bass and baritone lines first; they anchor the lifted, jazz-influenced chords that define this arrangement
  • Shape the melody with gentle dynamics rather than explosive ones. The arrangement thrives on conversational phrasing between voices, not volume
  • Rehearse the transition moments where voicing shifts; these create the vocal texture Sharon is after, and rushing them flattens the effect
  • Record yourself early and listen back as a section. Hearing the blend from the audience perspective reveals balance issues that feel invisible in the rehearsal room

How to use it

Build a winter concert around this as an anchor piece, pairing it with contrasting holiday repertoire in other languages or styles to showcase range. It serves equally well as a lighter moment mid-concert or as an opener that sets a sophisticated, contemporary tone before moving into heavier material. The four-page format makes it ideal for a focused rehearsal goal in November, giving choirs time to achieve the blend this arrangement deserves.

Skills your students will build

  • Sustaining intonation in a cappella sonorities without instrumental reference
  • Hearing and singing jazz-influenced seventh and suspended harmonies
  • Balancing individual line integrity with ensemble blend
  • Responding to subtle dynamic and rhythmic cues from the conductor
  • Maintaining rhythmic precision across multiple moving parts in tight a cappella textures

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